[KS] Chongmyo- Bae Bien-u (?) Photographs
Frank M. Tedesco
tedesco at uriel.net
Wed Jul 15 10:36:32 EDT 1998
> [Image] 07-15-98 : Photographer Bae Bien-u Dynamically Reveals
> Dignity of Choson Royal Shrine
>
> Hwang Jang-jin Staff reporter
>
> Chongmyo, the royal ancestral shrine of the Choson Dynasty
> (1392-1910), is one of Korea's most precious cultural monuments.
> This grand architectural beauty and its sacred rites come to life
> in a photo book published recently by the Samsung Foundation of
> Culture.
>
> The 162-page book includes some 70 photographs by Bae Bien-u, 48,
> a landscape photographer. He spent over two years taking pictures
> of the shrine during seasonal changes and of ancestral worship
> ceremonies, which are reenacted every May.
>
> Bae, who teaches photography at the Seoul Institute of Arts, is
> well known for his landscape photos of seas, country villages and
> pine trees. Through his photos, he tries to capture the essence
> of Korean scenery and people. These photos of the Choson shrine
> are taken with the same attention and care.
>
> ``The simple, but magnificent buildings at Chongmyo represent the
> best of Korean wooden architecture. And the solemn atmosphere of
> the royal rituals fascinated me when I first saw it a few years
> ago,'' Bae said.
>
> Unesco recognized the historical value of Chongmyo by putting the
> shrine on its World Cultural List in 1995. Right after that,
> Samsung planned to publish a photo book to boost awareness of the
> cultural treasure.
>
> Prominent scholars researched ancient architecture and rituals.
> They made complete drawings of the building arrangements by
> referring to old documents.
>
> The foundation commissioned Bae to photograph the shrine and
> ceremonies. Bae, skilled in both straight and pictorial styles,
> took pictures of every corner of the 190,000-sq.-meter compound,
> using over 1,000 rolls of films.
>
> Chongmyo, which was established by the founding monarch of Choson
> in 1395, comprises two major ritual halls _ Chongjon (Main Hall)
> and Yongbyogjon (Hall of Eternal Peace) _ and seven auxiliary
> structures. The two ritual halls hold the spirit tablets of kings
> while the remaining buildings were used as pavilions and
> warehouses.
>
> Bae captures these images on photos, using various angles, tones
> and sharp contrasts of light and shadow.
>
> ``I don't like my photos to be a dry representation of reality.
> While photographing Chongmyo, I hoped to recreate images which
> better present the dignity and history of the shrine,'' the
> photographer said.
>
> In some photos, parts of the subject is fully detailed while
> other parts are hidden in shadows.
>
> A photo of a stone platform in the Chongjon compound shows in
> minute detail the rough surface of 500-year-old, weathered
> granite bricks. In a picture of a backyard, the stone wall is
> veiled in black, sharply contrasting with a bright sky and trees.
> He also catches a full front view shot of Chongjon, which
> measures 109 meters wide and 69 meters high.
>
> Photos taken for this book were originally scheduled to be
> finished in a year. But Bae waited one more year to take pictures
> of snow scenes. ``I will never forget the serene beauty of the
> ritual halls after snowfall,'' Bae recalled. The pictures taken
> this January were among the most praised in this book.
>
> Born in 1950 in Yosu, South Cholla Province, he majored in
> graphic design at Hongik University, and learned photography on
> his own having been inspired by German constructivist
> photographer Moholy-Nagi and straight photographer Edward Weston.
> In 1988 he received a research fellowship to study in Bielefeld
> University in Germany.
>
> Since his university years, he has been taking pictures of
> islands, seas, and dolmens in the nation's southern part. And
> since 1985 when his second exhibition was held, he has traveled
> around the country mainly photographing pine trees.
>
> ``While going south along the shore, I happened to realize the
> stark beauty of pine trees. And while studying paintings by Chung
> Sun (a landscape artist from the Choson period), I came to see
> these trees as the flesh and blood of the Korean Peninsula,'' Bae
> said.
>
> Bae finds in the long trunk and rough texture of the pine trees,
> ``the collective spirit of the Korean people,'' which enabled
> them to survive numerous foreign invasions and suppression.
>
> Bae is a leading figure in the new wave of Korean photographers
> who are combining photography with other mediums. From 1991 to
> 1994, he and other photographers organized a series of
> exhibitions titled ``Horizontality,'' which caused controversy in
> Korea's conservative photographic art circle by featuring works
> by local and foreign avant-garde artists.
>
> Bae is also one of the most internationally known Korean
> photographers. He has participated in group exhibitions and solo
> shows at many international venues in Germany, Japan, Canada and
> this year in the United States. He is now preparing for a solo
> exhibition in Paris to be held in November.
>
> ``While some Korean painters are well received in the West,
> photography has yet to gain recognition. To appeal to foreign
> viewers, Korean photographers should develop their own aesthetics
> and not copy Western trends,'' Bae said. He is planning to
> publish more picture books of Korea's cultural heritage like
> ``Chongmyo.''
>
> Besides Bae's photos, this book also includes explanations on the
> history, architecture and royal ancestral rituals of Chongmyo by
> specialists. For foreign readers, it also contains
> English-language descriptions. For more information, call the
> Samsung Foundation of Culture at 750-7859
>
> [Image]
>
> Copyright 1998 Korea Herald. All right reserved.
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