[KS] New Literary Voice & Query
Frank M. Tedesco
tedesco at uriel.net
Sat Jul 11 13:19:26 EDT 1998
K-S chinggu tul!!!
Please let me know if any problems persist with my postings. I have been
using the mailer thru Netscape 3, quoting the text and deleting
attachments. How goes?
FMT
> 07-11-98 : Defining New Literary Voice, Shin Heralds
> Individualism
>
> By Kim Ji-soo Staff reporter
>
> The characters in her novels are ordinary people such as the
> neighborhood hairdresser, ticket-booth girl, and park employee.
>
> Through these everyday figures, novelist Shin Kyong-sook, 35,
> revives the concept of individualism in Korea's collective
> society.
>
> ``Like most of my generation who spent their 20s in the 1980s, I
> did not know what it was to be an individual. A collective
> atmosphere pervaded the times like damp air,'' Shin said in a
> recent interview with The Korea Herald.
>
> Shin is referring to the 80s when Korea was under the
> authoritarian rule of two governments led by former military
> strongmen.
>
> The government then was pitted against the silent majority and
> the not-so-silent majority that she identifies as the student
> movement.
>
> Shin, who passively joined in the Molotov-cocktail throwing
> students of her time, chose to write for the silent majority.
>
> ``Everyone must have been part of the movement. There were the
> frontliners, who spoke out loudly and there were those in the
> back, who did not say much. And I believed that those who did not
> speak out feels guilty to this day for not having said
> anything,'' she said.
>
> For most of her formative years, Shin lived in the center of the
> ``movement.'' While in high school in the late 70s, she worked
> during the day at a factory in the industrial district of Kuro,
> Seoul, and also worked at nights to support her brothers.
>
> During college, she lived right in the midst of all the action.
> Her school, the Seoul Institute of the Arts, is located on the
> edge of Myong-dong _ a hot spot for student demonstrations in the
> 80s.
>
> Her narrative novels take a different approach to storytelling
> and they are based on personal experience unlike other popular
> Korean novels, which mainly deal with epic or love stories.
>
> Some of her stories spring from her personality, which the author
> described as being averse to anything ``organizational and
> organic.''
>
> ``People tell me that they find my novels hard to understand. It
> probably has to do with the similes and symbolism. I feel that a
> good novel should always find a whole new interpretation through
> different readers,'' said Shin.
>
> She mostly writes about sadness and death using oxymorons.
> ``Since I write about death and sadness often, I get a lot of
> `Dear Ann Lander's' type of letters. Sometimes, when I feel the
> writer of the letter is really in hot water, I reply back,'' Shin
> said.
>
> And most of her readers are in their early 20s and 30s. In her
> fan letters, the readers regard her as the ``older sister next
> door.''
>
> Shin has been given a lot of literary accolades. Since her debut
> made through Munye Chungang in 1985, she has received five major
> literary awards _ the Hankook Ilbo Literary Award in 1993, Young
> Artist of the Year Award in 1994, the Hyundae Literary Award in
> 1995, and the Manhae Literature Award in 1996. Last year, she won
> the prestigious Tongin Literature Award for her short novel
> titled, ``When Will He Come?''
>
> In this award-winning novel about a hairdresser whose sister
> commits suicide, the author captures the sadness of those left
> behind when a loved one dies.
>
> She demonstrates her talent through succinct prose such as this
> passage in where the protagonist misses her dead sister.
>
> ``The road suddenly narrows. Several slate-roofed houses have
> their backs turned to the road. A shaggy dog barks as we pass by
> one of the homes. Bark, dog, we are going to go by anyway. But
> sis, pass by here someday, and I'll be the dog barking for you.''
>
> Shin, who is currently working on a new novel to be published
> later this year, may well be one of three popular writers _ in
> both prose and poetry _ who are widely recognized for their high
> book sales.
>
> The others are poet Choi Young-mee and novelist Kong Ji-young.
> The three female writers, all in their mid-thirties, have been
> criticized by the literary circle here for individualistic
> tendencies and strong advocation of women's rights.
>
> ``I don't understand why they criticize individualism. It is
> something everyone can relate with,'' she said.
>
> She pointed out that the older group of Korean literati might
> feel threatened by the new generation of writers.
>
> ``Our literature, especially in the 90s, has turned realistic.
> Realism has made its way into literature. Women writers with
> their sensitivity and intuition are better able to pick up every
> day things and incorporate it into their writing,'' Shin said.
>
> She stressed that it is meaningless and hollow to depend on some
> sort of trend to give life to literature.
>
> ``We should not have to rely on historical moments ... Individual
> happiness is the most important thing, I think, because it
> directly relates to productivity _ a happier person works
> better,'' Shin said.
>
> Opposed to the turbulent unrest, collectivism and fatalism of the
> '80s, Shin embodies the realism and individualism of the 90s.
>
> [Image]
>
> Copyright 1998 Korea Herald. All right reserved.
> Designed by ISM Corporation
http://www.koreaherald.co.kr/kh0711/m0711c01.html
--
Frank Tedesco, Ph.D.
Occasional lecturer, University of Maryland
Assistant Professor
Sejong University
98 Kunjadong, Kwangjin-gu
Seoul 143-747 KOREA
Tel/fax: 82-2-997-3954
E-mail: tedesco at uriel.net
"Life is a terminal disease, and it's sexually transmitted."
John Cleese, the Buddhist.
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