[KS] New Issue of "Cross-Currents: East Asian History and Culture Review"

Center for Korean Studies cks at berkeley.edu
Wed Feb 20 17:37:23 EST 2013


The fifth issue of the Institute of East Asian Studies¡¯ interactive
e-journal "Cross-Currents: East Asian History and Culture Review" is
available online. This is a special issue dedicated to the theme of
"Transcolonial Film Coproductions in the Japanese Empire: Antinomies in the
Colonial Archive" (guest edited by Takashi Fujitani (U Toronto) and Nayoung
Aimee Kwon (Duke University).

 

Cross-Currents: East Asian History and Culture Review
*************************************************************** 
December 2012 e-journal 

(See http://cross-currents.berkeley.edu/e-journal/issue-5)

 

Special Theme: Transcolonial Film Coproductions in the Japanese Empire:
Antinomies in the Colonial Archive


Guest editors:  Takashi Fujitani (U Toronto) and Nayoung Aimee Kwon (Duke)


Introduction (Takashi Fujitani and Nayoung Aimee Kwon)


Collaboration, Coproduction, and Code-Switching: Colonial Cinema and
Postcolonial Archaeology (Nayoung Aimee Kwon)


One Film, or Many?: The Multiple Texts of the Colonial Korean Film Volunteer
(Jaekil Seo)

 

Subverting Ethnic Hierarchy?: The Film Suicide Squad at the Watchtower and
Colonial Korea (Naoki Mizuno)

The Colonial and Transnational Production of Suicide Squad at the Watchtower
and Love and the Vow (Naoki Watanabe)

Between Ideology and Spectatorship: The ¡°Ethnic Harmony¡± of the Manchuria
Motion Picture Corporation, 1937¨C1945 (Sookyeong Hong)

 Negotiating Colonial Korean Cinema in the Japanese Empire: From the Silent
Era to the Talkies, 1923-1939 (Chonghwa Chung)

Review Essays, Notes & Bibliographies 

 

Re-envisioning the Chinese Cityscape: Tabula Rasa and Palimpsest (Jie Li)


Governmentality in Late Colonial Korea? (Henry Em)


Photo Essay



 
A Pictorial History of Changchun, 1898-1962 (Xinying Wang and Yishi Liu)




Readings from Asia

 



Review of Huang Xingtao »ÆÐËÌÎ: ¡°Ta¡± zi de wenhua shi  "Ëý¡±×ÖµÄÎÄ»¯Ê·
[The cultural history of feminine pronoun ¡°ta¡±] (Gang Zhao) 

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