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<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Dear all,</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>I would like to clarify my earlier statement.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Actually, I am interested in how Yi In-sŏng’s writings portray the
struggle, within the moment, of individual subjectivity to vocalize or signify
while conscious of the othering effect of overdetermining discourses.<SPAN
style="mso-spacerun: yes"> </SPAN>Yi’s works depict Korean subjectivity as
refracted into divided selves, within the field of global, hegemonic desire, and
how narrative voice modulates from first person to third person to depict this
“othering” process.<SPAN style="mso-spacerun: yes"> </SPAN>I am interested
too in how Yi In-sŏng foregrounds the individual subject’s practice of language:
for example, the use of foreign language (Kim) and the questioning of the
concept of an “originary” Koreanness (Chow: 91), and the ungrammatical use of
Korean to depict the interplay of moment and flow, subjectivity and
sociolect.<SPAN style="mso-spacerun: yes"> </SPAN>Moreover, I am
interested in how Yi portrays contradictions within masculinist perspectives of
the sexual exploitation of women.<SPAN style="mso-spacerun: yes"> </SPAN>I
discuss Yi’s use of dialogic poetics (Choi, Bakhtin) in the depiction of the
<I>minjung</I> as audience and actors who are creative subjectivities in their
own right.<SPAN style="mso-spacerun: yes"> </SPAN>I examine Yi In-sŏng’s
depiction of the struggle of the subject to participate in the sociolect and to
constitute dialogic, democratic processes of communication.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <?xml:namespace prefix = o ns =
"urn:schemas-microsoft-com:office:office" /><o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Dudley Andrew.<SPAN style="mso-spacerun: yes"> </SPAN>“Tracing
Ricoeur.”<SPAN style="mso-spacerun: yes"> </SPAN>Review of <I>Paul
Ricoeur: Les Sens d’Une Vie</I>.<SPAN style="mso-spacerun: yes">
</SPAN><I>diacritics</I> 30.2 (summer 2000): 43-69.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Cho Hae-joang.<SPAN style="mso-spacerun: yes"> </SPAN>T’al
singminji sidae chisigin ŭi kŭl ilkki wa salm ilkki.<SPAN
style="mso-spacerun: yes"> </SPAN>Vol. 1.<SPAN
style="mso-spacerun: yes"> </SPAN>Seoul: Tto hana ŭi munhwa,
1996.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Choi Chung-moo.<SPAN style="mso-spacerun: yes"> </SPAN>Personal
communications about Gilles Deleuze.<SPAN style="mso-spacerun: yes">
</SPAN>Southern California Korean Studies Colloquium, 1994.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Choi Chungmoo.<SPAN style="mso-spacerun: yes">
</SPAN>“Transnational Capitalism, National Imaginary and the Protest Theater in
South Korea.”<SPAN style="mso-spacerun: yes"> </SPAN><I>Boundary 2</I>
22.1 (1995): 235-261.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Chŏng Sun-jin.<SPAN style="mso-spacerun: yes"> </SPAN><I>Han’guk
munhak kwa yŏsŏng chuŭi pip’yŏng</I>.<SPAN style="mso-spacerun: yes">
</SPAN>Seoul: Kukhak charyowŏn, 1992.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Chow, Rey.<SPAN style="mso-spacerun: yes"> </SPAN>“Violence in the
Other Country: China as Crisis, Spectacle and Woman.”<SPAN
style="mso-spacerun: yes"> </SPAN>In Chandra Mohanty, Ann Russo and
Lourdes Torres, ed.<SPAN style="mso-spacerun: yes"> </SPAN><I>Third World
Women and the Politics of Feminism</I>.<SPAN style="mso-spacerun: yes">
</SPAN>Bloomington:<SPAN style="mso-spacerun: yes"> </SPAN>Indiana
University Press, 1991.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Gilles Deleuze.<SPAN style="mso-spacerun: yes"> </SPAN><I>The
movement-image.</I><SPAN style="mso-spacerun: yes"> </SPAN>Translated by
Hugh Tomlinson and Barbara Habberjam.<SPAN style="mso-spacerun: yes">
</SPAN>Minneapolis, MN: University of Minnesota Press, 1986.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Soo-hee Kim, Lecturer, University of Washington is researching loan words
in Korean.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Heather McHugh (1993).<SPAN style="mso-spacerun: yes">
</SPAN><I>Broken English</I>.<SPAN style="mso-spacerun: yes">
</SPAN>Hanover and London: Wesleyan University Press, 1993.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Gi-wook Shin.<SPAN style="mso-spacerun: yes"> </SPAN>“The Paradox
of Korean Globalization.”<SPAN style="mso-spacerun: yes">
</SPAN>Asia/Pacific Research Center, Stanford University, January
2003.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Mike Shin.<SPAN style="mso-spacerun: yes"> </SPAN>Personal
communications about Yi In-sŏng.<SPAN style="mso-spacerun: yes">
</SPAN>U.C. Berkeley, 1991-1992.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Gayatri Chakravorty Spivak.<SPAN style="mso-spacerun: yes">
</SPAN>“Can the subaltern speak?”<SPAN style="mso-spacerun: yes">
</SPAN>In <I>Colonial Discourse and Post-Colonial Theory: A Reader</I>.<SPAN
style="mso-spacerun: yes"> </SPAN>Patrick Williams and Laura Chrisman,
ed.<SPAN style="mso-spacerun: yes"> </SPAN>New York: Columbia University
Press, 1994: 66-111.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Yi In-sŏng.<SPAN style="mso-spacerun: yes"> </SPAN><I>Han ŏpsi
najŭn sumgyŏl</I>.<SPAN style="mso-spacerun: yes"> </SPAN>Seoul: Munhak
kwa chisŏngsa, 1999 (first edition 1989).</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Yi In-sŏng.<SPAN style="mso-spacerun: yes"> </SPAN><I>Kang ŏgwi e
sŏm hana</I>.<SPAN style="mso-spacerun: yes"> </SPAN>Seoul: Munhak kwa
chisŏngsa, 1999.</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Yi In-sŏng.<SPAN style="mso-spacerun: yes"> </SPAN><I>Mich’yŏbŏrigo
sip’ŭn mich’yŏjijiannŭn</I>.<SPAN style="mso-spacerun: yes"> </SPAN>Seoul:
Munhak kwa chisŏngsa, 1996 (first edition 1995).</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Yi In-sŏng.<SPAN style="mso-spacerun: yes"> </SPAN><I>Natssŏn sigan
sogŭro</I>.<SPAN style="mso-spacerun: yes"> </SPAN>Seoul: Munhak kwa
chisŏngsa, 1997 (first edition 1983).</FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT
face="Times New Roman"><FONT size=3> <o:p></o:p></FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0in 0in 0pt"><FONT face="Times New Roman"
size=3>Yi In-sŏng.<SPAN style="mso-spacerun: yes"> </SPAN><I>Singmulsŏng
ŭi chŏhang</I>.<SPAN style="mso-spacerun: yes"> </SPAN>Seoul:<SPAN
style="mso-spacerun: yes"> </SPAN>Yŏllimwŏn, 2</FONT></P>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV> </DIV>
<DIV><FONT face="Times New Roman">Ann Sung-hi Lee, Visiting Scholar<BR>Asian
Languages and Literature Department<BR>University of Washington<BR></FONT><A
href="http://faculty.washington.edu/asl"><FONT
face="Times New Roman">http://faculty.washington.edu/asl</FONT></A></FONT></FONT></DIV></DIV></DIV></BODY></HTML>