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Andy Sutton (UW-Madison), who I think is on this list, has also been
working on this subject. You can get his email from the UW website
(<a class="moz-txt-link-freetext" href="http://www.wisc.edu">http://www.wisc.edu</a>).<br>
<br>
Richard Miller<br>
Center for East Asian Studies<br>
UW-Madison<br>
<br>
Roald Maliangkay wrote:
<blockquote cite="mid:C3897D58.5DF3%25Roald.Maliangkay@anu.edu.au"
type="cite">
<title>Re: [KS] ch'ang jak kukak</title>
<font face="Verdana, Helvetica, Arial"><span style="font-size: 12px;">Dear
Kevin,<br>
<br>
Hilary Finchum-Sung at UC Berkeley has recently done very good work on
the subject. Please check with her. I have her email address, but you
may easily find it on the web (and I am wary of sending email addresses
over the web because of spam).<br>
<br>
Regards,<br>
<br>
Roald <br>
<br>
<br>
On 14/12/07 5:26 PM, <a class="moz-txt-link-rfc2396E" href="mailto:kevin@macosx.com">"kevin@macosx.com"</a> <a class="moz-txt-link-rfc2396E" href="mailto:kevin@macosx.com"><kevin@macosx.com></a> wrote:<br>
<br>
<font color="#0000ff">> <br>
> <br>
> I wonder if there are any folks on this list who are doing, or
have <br>
> done some work on ch'ang jak kukak. I remember years ago bumping
into <br>
> folks here in Seoul who were investigating and writing about such <br>
> things. I suddenly find myself having to look into this area and
I am <br>
> trying to find a path forward and also trying to decide which <br>
> musicians/pieces/approaches I might investigate. I am interested
in <br>
> everything from the barely neo-traditional (some Kim Young-Jae
pieces, <br>
> for example, seem to spring seamlessly from the existing
repertoire) <br>
> to hybrids and experimentalists (Kim Jin Hi) and am especially
younger <br>
> folks (like Won-il). Of course there is Hwang Byoung-gi, Im <br>
> Dong-ch'ang and others. Named above are mostly traditional music <br>
> musicians who create new pieces drawing on that tradition.<br>
> <br>
> On the other hand are "Composers" who have western art music type <br>
> training who integrate elements from traditional music in some
way. <br>
> These are folks like Yun i sang, Hwang Sung-ho, Young-hi Pagh-pan,
<br>
> Kang Sukhi and others, including those mentioned in the Babcock <br>
> article (Korean Composers in Profile, Tempo 1995).<br>
> <br>
> In any case, I would like to know what else there is and what <br>
> scholarship might be under way on the topic.<br>
> <br>
> I would be interest to to have folks point me to works that either
<br>
> exemplify a specific approach or aesthetic (towards integrating <br>
> traditional musical materials or ideas) or just pieces that seems <br>
> "successful" or extraordinary in some way.<br>
> <br>
> cheers,<br>
> <br>
> Kevin Parks<br>
> <br>
> <br>
> <br>
</font></span></font>
</blockquote>
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