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<P>I was able to obtain recordings on CD from Kyobo Bookstore (Seoul) and have some self-produced (by the shaman group) studio recordings of parts of several gut. Audio (and video) recording is getting so good that on one hand, it captures everything and on the otherhand can be cleaned up so as not to have any peripheral, contextual "noise". It depends upon what you are seeking. I might be able to share some of my collection via e mail.</P>
<P>Will you be publishing (print / online?) the lecture? I'd certainly like to be able to know what Prof. Howard presents.</P>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 0px; BORDER-LEFT: #0000ff 2px solid">-----Original Message----- <BR>From: Michael Duffy <MGDUFFY45@HOTMAIL.COM><BR>Sent: Apr 15, 2008 6:04 AM <BR>To: Korean Studies Discussion List <KOREANSTUDIES@KOREAWEB.WS><BR>Subject: [KS] A musical query and a notice <BR><BR><ZZZHTML><ZZZHEAD>
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</ZZZHEAD><ZZZBODY class=hmmessage>First, the query: can anyone tell me where I might find (in Korea) field recordings of shamanist music?<BR> <BR>And the notice: members in the UK may be interested in attending this lecture by Prof. Keith Howard.<BR> <BR><SPAN class=EC_postbody><EM>Live Music Versus Audio Tourism: Sustaining the Identity of World Musics Against Cultural Homogeneity <BR><BR>Professor Keith Howard <BR>Date: 21 April 2008Time: 5:30 PM <BR><BR>Finishes: 21 April 2008Time: 7:00 PM <BR><BR>Venue: Brunei Gallery Room: Lecture Theatre <BR><BR>Type of Event: Inaugural Lecture <BR><BR>Series: SOAS Inaugural Lecture Series <BR><BR>Chair: Professor Jonathan Stock, University of Sheffield <BR><BR>Professor Paul Webley, Director and Principal of SOAS, will preside. <BR><BR>In his inaugural lecture Professor Keith Howard will discuss the implications of the oral qualities of musical communication <BR><BR>The academic discipline of ethnomusicology gives central importance to fieldwork, to documentation and – increasingly – to learning from expert teachers how to perform. Ethnomusicologists promote, through rarely profitable recordings, books and concerts, their take on the social and cultural distinctiveness of specific world musics. Joining them, UNESCO, in its Intangible Cultural Convention and ‘Masterpieces of the Oral and Intangible Heritage of Mankind’, and along with member states from Korea to Japan and Yakutia to Uzbekistan, now seeks both to preserve ‘traditional’ musics and to promote them. Music is now marketed along with World Heritage Sites for domestic and international tourism. Music has become an icon of identity. <BR><BR><BR>In contrast, the established music industry, entangled with issues of politics and control, promotes World Music. Critics argue that World Music promotes a new aesthetic form of the global imagination by packaging products in a homogeneous, flashy, but shallow way in order to generate profits. Audiences listen, in their own homes, in concert halls or at festivals, posing as audio tourists who no longer need to travel. <BR><BR><BR>Worldwide, musicians make choices as they move between local and global systems, as they travel the world to perform, reinforcing soundworlds from the local or capitulating to the global. What, then, are the potential futures for World Music and the academic discipline of ethnomusicology? <BR><BR>The event will be followed by a reception. <BR><BR><BR><BR>Organiser: SOAS <BR><BR>Contact email: </EM><A href="mailto:mo2@soas.ac.uk"><U><FONT face="" color=#0000ff><EM>mo2@soas.ac.uk</EM></FONT></U></A><EM> <BR><BR>Contact Tel: 0207 898 4075 <BR><BR>Organised by: Department of Music</EM></SPAN><BR><BR><BR><BR><BR>
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Get fish-slapping on Messenger <A href="http://www.fishticuffs.co.uk" target=_blank>Play now!</A></ZZZBODY> </ZZZHTML></BLOCKQUOTE></BODY><pre>
Lauren W. Deutsch
835 S. Lucerne Blvd., #103
Los Angeles CA 90005
Phone: 323 930-2587
e mail: lwdeutsch@earthlink.net</pre>