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<BODY style="FONT-FAMILY: Book Antiqua; COLOR: #000000; FONT-SIZE: 14pt" id=role_body bottomMargin=7 leftMargin=7 rightMargin=7 topMargin=7><FONT id=role_document color=#000000 size=4 face="Book Antiqua">
<DIV><FONT size=4>Dear friends and colleagues,</FONT></DIV>
<DIV><FONT size=4></FONT> </DIV>
<DIV><FONT size=4>I post the below on behalf of Professor Regenia
Gagnier,</FONT></DIV>
<DIV><FONT size=4>Director of the Exeter Interdisciplinary
Institute.</FONT></DIV>
<DIV><FONT size=4></FONT> </DIV>
<DIV><FONT size=4>She also directs the <STRONG>Global Circulation
Project</STRONG>, sponsored by</FONT></DIV>
<DIV><FONT size=4>Literature Compass and supported by the British
Academy.</FONT></DIV>
<DIV><FONT size=4></FONT> </DIV>
<DIV><FONT size=4>This is an exciting and ambitious initiative. It
already</FONT></DIV>
<DIV><FONT size=4>includes a research fellow from China (see below),
and</FONT></DIV>
<DIV><FONT size=4>Korea is very much on </FONT><FONT size=4>the agenda too.
Professor Gagnier writes:</FONT></DIV>
<DIV><FONT size=4></FONT> </DIV>
<DIV><FONT face=Tahoma><FONT size=3>By all means do post the GCP link on the
Korean boards. We are interested in submissions to the journal or responses to
its publications, in the genuine spirit of dialogue, though everything is
rigorously peer-reviewed. Anyone who would like to submit or write responses
should get in touch with the Managing Editor Phil Smith (on the site). We also
actively invite both submissions and responses, so when I am more familiar with
Korean scholarship, we will begin to make contacts ourselves.</FONT>
</FONT></DIV>
<DIV><FONT size=3 face=Tahoma></FONT> </DIV>
<DIV dir=ltr><FONT size=2 face=tahoma></FONT> </DIV>
<DIV><FONT size=4>These are fascinating issues, so I trust Koreanists will
ensure that</FONT></DIV>
<DIV><FONT size=4>Korea is fully represented in this "global map and
dialogue."</FONT></DIV>
<DIV><FONT size=4></FONT> </DIV>
<DIV><FONT size=4>Best wishes</FONT></DIV>
<DIV><FONT size=4>Aidan FC</FONT></DIV>
<DIV><FONT size=4></FONT> </DIV>
<DIV><FONT size=4>
<P style="MARGIN: 0cm 0cm 0pt" class=MsoNormal><B style="mso-bidi-font-weight: normal"><SPAN style="FONT-FAMILY: Cambria; COLOR: black" lang=EN-GB><FONT size=3>Aidan
Foster-Carter<o:p></o:p></FONT></SPAN></B></P>
<P style="MARGIN: 0cm 0cm 0pt" class=MsoNormal><FONT size=3><I style="mso-bidi-font-style: normal"><SPAN style="FONT-FAMILY: Cambria; COLOR: black" lang=EN-GB>Honorary Senior Research
Fellow in Sociology & Modern Korea, Leeds University, UK</SPAN></I><SPAN style="FONT-FAMILY: Cambria; COLOR: black; mso-ansi-language: EN-US"><o:p></o:p></SPAN></FONT></P>
<P style="MARGIN: 0cm 0cm 0pt" class=MsoNormal><FONT size=3><I style="mso-bidi-font-style: normal"><SPAN style="FONT-FAMILY: Cambria; COLOR: black" lang=EN-GB> </SPAN></I><SPAN style="FONT-FAMILY: Cambria; COLOR: black" lang=EN-GB><o:p></o:p></SPAN></FONT></P>
<P style="MARGIN: 0cm 0cm 0pt" class=MsoNormal><FONT size=3><EM><SPAN style="FONT-FAMILY: Cambria; COLOR: black" lang=EN-GB>E</SPAN></EM><SPAN style="FONT-FAMILY: Cambria; COLOR: black; mso-bidi-font-style: italic" lang=EN-GB>: <A title=mailto:afostercarter@aol.com href="mailto:afostercarter@aol.com">afostercarter@aol.com</A><SPAN style="mso-spacerun: yes"> </SPAN><A title=mailto:afostercarter@yahoo.com href="mailto:afostercarter@yahoo.com">afostercarter@yahoo.com</A><SPAN style="mso-spacerun: yes"> </SPAN><EM><SPAN style="FONT-FAMILY: Cambria">W</SPAN></EM>: <A title=http://www.aidanfc.net/ href="http://www.aidanfc.net/">www.aidanfc.net</A><SPAN style="mso-spacerun: yes"> </SPAN></SPAN><SPAN style="FONT-FAMILY: Cambria; COLOR: black; mso-ansi-language: EN-US"><o:p></o:p></SPAN></FONT></P>
<P style="MARGIN: 0cm 0cm 0pt" class=MsoNormal><SPAN style="FONT-FAMILY: Cambria; COLOR: black" lang=EN-GB><FONT size=3>Flat 1, <SPAN style="mso-spacerun: yes"> </SPAN>40 Magdalen Road, <SPAN style="mso-spacerun: yes"> </SPAN>Exeter, <SPAN style="mso-spacerun: yes"> </SPAN>Devon, <SPAN style="mso-spacerun: yes"> </SPAN>EX2 4TE, <SPAN style="mso-spacerun: yes"> </SPAN>England, <SPAN style="mso-spacerun: yes"> </SPAN>UK<o:p></o:p></FONT></SPAN></P>
<P style="MARGIN: 0cm 0cm 0pt" class=MsoNormal><FONT size=3><EM><SPAN style="FONT-FAMILY: Cambria; COLOR: black" lang=EN-GB>T:</SPAN></EM><SPAN style="FONT-FAMILY: Cambria; COLOR: black" lang=EN-GB> (+44, no 0)<SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="mso-spacerun: yes"> </SPAN>07970 741307 (mobile);<SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="mso-spacerun: yes"> </SPAN><SPAN style="mso-bidi-font-style: italic">01392 257753 (home)<SPAN style="mso-spacerun: yes"> </SPAN></SPAN></SPAN><SPAN style="FONT-FAMILY: Cambria; COLOR: black; mso-ansi-language: EN-US"><o:p></o:p></SPAN></FONT></P>
<P style="MARGIN: 0cm 0cm 0pt" class=MsoNormal><FONT size=3><I style="mso-bidi-font-style: normal"><SPAN style="FONT-FAMILY: Cambria; COLOR: black" lang=EN-GB>Skype</SPAN></I><SPAN style="FONT-FAMILY: Cambria; COLOR: black" lang=EN-GB>: <SPAN style="mso-spacerun: yes"> </SPAN>Aidan.Foster.Carter <EM><SPAN style="FONT-FAMILY: Cambria">Twitter:</SPAN></EM> <SPAN style="mso-spacerun: yes"> </SPAN>fcaidan<o:p></o:p></SPAN></FONT></P></FONT></DIV>
<DIV><FONT size=4></FONT> </DIV>
<DIV> **********************************************</DIV>
<DIV> </DIV>
<DIV><FONT size=4><A href="http://www.blackwell-compass.com/globalcirculationproject">http://www.blackwell-compass.com/globalcirculationproject</A></FONT></DIV>
<DIV><FONT size=4></FONT> </DIV>
<DIV><SPAN style="WIDOWS: 2; TEXT-TRANSFORM: none; TEXT-INDENT: 0px; BORDER-COLLAPSE: separate; FONT: medium 'Times New Roman'; WHITE-SPACE: normal; ORPHANS: 2; LETTER-SPACING: normal; COLOR: rgb(0,0,0); WORD-SPACING: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" class=Apple-style-span><SPAN style="FONT-FAMILY: Tahoma, sans-serif; FONT-SIZE: 14px" class=Apple-style-span>
<P style="MARGIN-TOP: 0px; FONT-FAMILY: Arial, Helvetica, sans-serif; FONT-SIZE: 16px" align=left>The<STRONG><SPAN class=Apple-converted-space> </SPAN>Global
Circulation Project<SPAN class=Apple-converted-space> </SPAN></STRONG>is a
global map and dialogue on how key Anglophone works, authors, genres, and
literary movements have been received, imitated/mimicked, adapted, or
syncretised outside Britain, Europe, and North America, or, conversely, how key
works from outside these areas have been received, imitated/mimicked, adapted,
or syncretised within Anglophone literary traditions. It asks, what forms of
intertextuality, reception, etc. are generated through cultural contact?<SPAN class=Apple-converted-space> </SPAN><BR><BR>For example, in a pilot project
supported by the British Academy on the global circulation of Charles Dickens,
we are asking:</P>
<UL style="FONT-FAMILY: Tahoma, sans-serif; FONT-SIZE: 14px">
<LI style="FONT-FAMILY: Tahoma, sans-serif; FONT-SIZE: 0.9em">
<P style="MARGIN-TOP: 0px; FONT-FAMILY: Arial, Helvetica, sans-serif; FONT-SIZE: 16px" align=left>How has Dickens been received, imitated/mimicked, adapted, or
syncretised outside Britain, Europe and North America?</P></LI></UL>
<UL style="FONT-FAMILY: Tahoma, sans-serif; FONT-SIZE: 14px">
<LI style="FONT-FAMILY: Tahoma, sans-serif; FONT-SIZE: 0.9em">
<P style="MARGIN-TOP: 0px; FONT-FAMILY: Arial, Helvetica, sans-serif; FONT-SIZE: 16px" align=left>What forms of intertextuality have been generated with indigenous
cultural forms?</P></LI></UL>
<UL style="FONT-FAMILY: Tahoma, sans-serif; FONT-SIZE: 14px">
<LI style="FONT-FAMILY: Tahoma, sans-serif; FONT-SIZE: 0.9em">
<P style="MARGIN-TOP: 0px; FONT-FAMILY: Arial, Helvetica, sans-serif; FONT-SIZE: 16px" align=left>What is the role of Dickens’s Britain in the imaginary of other
cultures?</P></LI></UL>
<P style="MARGIN-TOP: 0px; FONT-FAMILY: Arial, Helvetica, sans-serif; FONT-SIZE: 16px" align=left>Conversely, we study the role of the<SPAN class=Apple-converted-space> </SPAN><EM>1001 Nights</EM><SPAN class=Apple-converted-space> </SPAN>in Anglophone culture. Thus: How have
the<SPAN class=Apple-converted-space> </SPAN><EM>Nights<SPAN class=Apple-converted-space> </SPAN></EM>been received, imitated/ mimicked,
etc.? What forms of intertextuality have been generated with Anglophone forms?
What is the role of the<SPAN class=Apple-converted-space> </SPAN><EM>Nights<SPAN class=Apple-converted-space> </SPAN></EM>in the imaginary of British
Literature?<SPAN class=Apple-converted-space> </SPAN><BR><BR>Any authors,
works, or genres with evidence of significant global/international circulation
and impact from any time period may be the subject of an article.<SPAN class=Apple-converted-space> </SPAN><BR><BR><SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 16px">For the<SPAN class=Apple-converted-space> </SPAN><STRONG>launch of the GCP in early
2010</STRONG>, we have published articles on<SPAN class=Apple-converted-space> </SPAN><EM><A style="COLOR: rgb(51,51,51)" href="http://www.blackwell-compass.com/subject/literature/article_view?article_id=lico_articles_bpl664">Global
Dickens</A></EM><SPAN class=Apple-converted-space> </SPAN>by John Jordan
(University of California, Santa Cruz),<EM><SPAN class=Apple-converted-space> </SPAN></EM></SPAN><SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 16px"><EM><A style="COLOR: rgb(51,51,51)" href="http://www.blackwell-compass.com/subject/literature/article_view?parent=section&last_results=section=lico-renaissance&sortby=date§ion=lico-renaissance&browse_id=lico_articles_bpl688&article_id=lico_articles_bpl688">Global</A><A>Modernisms/
Modernities</A></EM><SPAN class=Apple-converted-space> </SPAN>by Laura
Doyle (U Massachusetts, Amherst)</SPAN><SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 16px">,<SPAN class=Apple-converted-space> </SPAN><EM><A style="COLOR: rgb(51,51,51)" href="http://www.blackwell-compass.com/subject/literature/article_view?article_id=lico_articles_bpl669">The
Distant Future? Reading Franco Morett</A>i</EM><SPAN class=Apple-converted-space> </SPAN>by Rachel Serlen (Columbia University)
and the <EM><A style="COLOR: rgb(51,51,51)" href="http://www.blackwell-compass.com/subject/literature/article_view?article_id=lico_articles_bpl662">Naturalist
Novel in Asia</A></EM><SPAN class=Apple-converted-space> </SPAN>by
Christopher Hill (Yale). In the next few months we will also feature a paper on
the<SPAN class=Apple-converted-space> </SPAN><EM>Anglo-Indian
Canon</EM><SPAN class=Apple-converted-space> </SPAN>by Norbert Schurer
(</SPAN><SPAN style="FONT-FAMILY: Arial; FONT-SIZE: 12pt">California State
University, Long Beach)</SPAN><SPAN style="FONT-FAMILY: Arial">.</SPAN><BR><BR>In the future, we expect articles on
the<SPAN class=Apple-converted-space> </SPAN><EM>Global Circulation of the
New Woman</EM><SPAN class=Apple-converted-space> </SPAN>by Ann Heilmann
(Hull), the<SPAN class=Apple-converted-space> </SPAN><EM>Global Circulation
of key texts of Liberalism</EM><SPAN class=Apple-converted-space> </SPAN>by
Regenia Gagnier (Exeter),<SPAN class=Apple-converted-space> </SPAN><EM>Global Joyce</EM><SPAN class=Apple-converted-space> </SPAN>by Ariela Freedman (Concordia),<SPAN class=Apple-converted-space> </SPAN><EM>Darwin in China</EM><SPAN class=Apple-converted-space> </SPAN>by Haiyan Yang (Peking),<SPAN class=Apple-converted-space> </SPAN><EM>Byron in China</EM><SPAN class=Apple-converted-space> </SPAN>by Ting Guo (Exeter),<SPAN class=Apple-converted-space> </SPAN><EM>Romanticism and Latin
America</EM><SPAN class=Apple-converted-space> </SPAN>by Joselyn
Almeida-Beveridge (U Mass Amherst),<SPAN class=Apple-converted-space> </SPAN><EM>Global Medievalisms</EM><SPAN class=Apple-converted-space> </SPAN>(Geraldine Heng, U Texas), and
more.<BR><BR><STRONG>We welcome proposals and submissions to the Global
Circulation Project.<SPAN class=Apple-converted-space> </SPAN></STRONG></P>
<P style="MARGIN-TOP: 0px; FONT-FAMILY: Arial, Helvetica, sans-serif; FONT-SIZE: 16px" align=left><STRONG><SPAN class=Apple-converted-space></SPAN></STRONG>Essential
to the dialogic nature of the GCP is the participation of scholars outside
Britain, Europe, and North America, and we especially encourage submissions of
paired articles and responses across international boundaries.<SPAN class=Apple-converted-space> </SPAN><BR><BR>All submissions must include
full scholarly apparatus and will be peer-reviewed according to<SPAN class=Apple-converted-space> </SPAN><EM>Literature Compass</EM>’ normal
procedures. Articles published through the GCP will invite online scholarly
responses from experts with the goal of global dialogue on literature. We
apologize in advance to the scholarly community that at this time we are only
able to consider submissions and responses in English; this may change as the
dialogue and network grow.<SPAN class=Apple-converted-space> </SPAN><BR><BR>For more information or to
submit a proposal email Kivmars Bowling at<SPAN class=Apple-converted-space> </SPAN><A style="COLOR: rgb(51,51,51)" href="mailto:LICOEditorial@wiley.com">LICOEditorial@wiley.com</A>.</P></SPAN></SPAN></DIV></FONT></BODY></HTML>