<div>Dear KS List members,</div>
<div> </div>
<div>Academia Koreana, the Korean studies research institute of Keimyung University, is pleased to announce the publication of <em>Acta Koreana</em> Vol. 13, No. 2, a theme issue on Korean Neo-Confucianism, guest-edited and introduced by Prof. Ro Young-chan. This issue also contains translations of prose and poems by Yi Sang in commemoration of the 100th year of his birth and an interview with Professor Gari K. Ledyard. The complete table of contents may be found at the foot of this e-mail. </div>
<div> </div>
<div><em>Acta Koreana</em> is an English language, refereed journal that is published bi-annually on 15 June and 15 December. Submissions of academic articles, and interviews in the field of Korean studies and translations of Korean literature are accepted throughout the year, but articles intended for the next issue Vol. 14, No. 1, which will be a theme issue on Korean cinema, should be submitted no later than 1 March, 2011. </div>
<div> </div>
<div>For more information about <em>Acta Koreana</em>'s aims, editorial board, submission guidelines, subscriptions and so on, please visit our website at <a href="http://actkoreana.kmu.ac.kr/" rel="nofollow" target="_blank"><font color="#0000ff">http://actkoreana.kmu.ac.kr</font></a></div>
<div> </div>
<div>Best regards,</div>
<div> </div>
<div>Michael Finch</div>
<div> </div>
<div>
<p style="TEXT-ALIGN: center; MARGIN: 30pt 0cm 12pt; TEXT-AUTOSPACE: ideograph-numeric; WORD-BREAK: keep-all" class="MsoNormal" align="center"><b><span style="FONT-FAMILY: 'Garamond','serif'; COLOR: black; FONT-SIZE: 18pt" lang="EN-US">ACTA KOREANA VOL. 13, NO. 2</span></b><span style="FONT-FAMILY: 'Times New Roman','serif'; COLOR: black; FONT-SIZE: 12pt" lang="EN-US"></span></p>
<p style="TEXT-ALIGN: center; MARGIN: 30pt 0cm 12pt; TEXT-AUTOSPACE: ideograph-numeric; WORD-BREAK: keep-all" class="MsoNormal" align="center"><b><span style="FONT-FAMILY: 'Garamond','serif'; COLOR: black; FONT-SIZE: 18pt" lang="EN-US">TABLE OF CONTENTS</span></b><span style="FONT-FAMILY: 'Times New Roman','serif'; COLOR: black; FONT-SIZE: 12pt" lang="EN-US"></span></p>
<p style="TEXT-ALIGN: center; MARGIN: 30pt 20pt 12pt" align="center"><span lang="EN-US"><strong><font size="5"><font face="Garamond">ARTICLES</font></font></strong></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Korean Confucianism Theme Issue: Guest Editor’s Introduction</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By Y<span style="FONT-VARIANT: small-caps">oung-chan Ro<span><span> </span>1–3</span></span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Korean Confucianism from a Sinic Perspective</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By </span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Tu Weiming<span><span> </span>5–8</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">The Original Nature of Contemporary Society: </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Three Diagrams on Social Transformation to Sustainability<span> </span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By </span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Michael C. Kalton<span><span> </span>9–29</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Yi T’oegye on Self-transcendence:</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">A Neo-Confucian and Interreligious Dialogue</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By E</span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">dward Y. J. Chung<span><span> </span>31–46</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Practical Ethics and Practical Learning: </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Tasan’s Approach to Moral Cultivation</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By D<span style="FONT-VARIANT: small-caps">on Baker<span><span> </span>47–61</span></span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Sŏ Kyŏngdŏk’s Philosophy of <i>Ki</i>: Continuity, Wholeness, and Dynamism<span> </span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By </span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Jung Yeup Kim <span> </span>63<span>–73</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Philosophical Aporia of Neo-Confucianism during the Chosŏn Dynasty</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By </span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Dong Hee Lee<span> </span>75–99</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"></span> </p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"></span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Antiqueness and Coarseness: Understanding Korean Aesthetics </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"></span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">from the Perspective of Daoism</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By </span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Tschung-Sun Kim<span> </span>101–122<b></b></span></p>
<p style="TEXT-ALIGN: center; MARGIN: 30pt 0cm 12pt; WORD-BREAK: keep-all" align="center"><span lang="EN-US"><strong><font size="5"><font face="Garamond">LITERATURE IN TRANSLATION</font></font></strong></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">“Lost Flower” </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By <span style="FONT-VARIANT: small-caps">Yi Sang</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Translated by <span style="FONT-VARIANT: small-caps">Steven D. Capener<span> </span>123–134</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Selected Poems</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By <span style="FONT-VARIANT: small-caps">Yi Sang</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Translated by <span style="FONT-VARIANT: small-caps">Jack Jung<span> </span>135–148</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Yi Sang’s Construct in Language and Space</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Translations of Selected Yi Sang Poems by <span style="FONT-VARIANT: small-caps">Grace H. Jung</span> </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Architectural Interpretations by <span style="FONT-VARIANT: small-caps">Evan D. Hall<span> </span>149–156</span></span></p>
<p style="TEXT-ALIGN: center; MARGIN: 30pt 0cm 12pt; WORD-BREAK: keep-all" align="center"><span style="TEXT-TRANSFORM: uppercase" lang="EN-US"><strong><font size="5"><font face="Garamond">INTERVIEW</font></font></strong></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">An Interview with Professor <span style="FONT-VARIANT: small-caps">Gari</span> K. <span style="FONT-VARIANT: small-caps">Ledyard</span> </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Conducted by <span style="FONT-VARIANT: small-caps">Haimin Lee<span> </span>157–186</span></span></p>
<p style="TEXT-ALIGN: center; MARGIN: 30pt 0cm 12pt" align="center"><span lang="EN-US"><strong><font size="5"><font face="Garamond">BOOK REVIEWS</font></font></strong></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Gender and Mission Encounters in Korea: New Women, Old Ways </span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By Hyaeweol Choi.</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span> </span><span> </span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; LETTER-SPACING: -0.15pt; FONT-SIZE: 12pt" lang="EN-US">Timothy S. Lee</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span> </span>187<span style="FONT-VARIANT: small-caps">–189</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Uri ak k</span></i><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">ŭrim ŭl p’umtta</span></i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> (<i>Korean music embraces paintings</i></span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">)</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By Yi Hyobun.</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; LETTER-SPACING: -0.15pt; FONT-SIZE: 12pt" lang="EN-US">Yeonok Jang</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span> </span>190<span style="FONT-VARIANT: small-caps">–199</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">The Spirit of the Mountains: </span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Korea’s San-Shin and Traditions of Mountain Worship</span></i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">. <i></i></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By David A. Mason.</span></p>
<p style="MARGIN: 0cm 0cm 0pt" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; LETTER-SPACING: -0.15pt; FONT-SIZE: 12pt" lang="EN-US">John Synott</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span> </span>199<span style="FONT-VARIANT: small-caps">–205</span></span></p>
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