<div>Dear KS List members,<br> <br>Academia Koreana, the Korean studies research institute of Keimyung University, Daegu, is pleased to announce the publication of <em>Acta Koreana,</em> Vol. 14, No. 1, a theme issue on Korean cinema, guest-edited and introduced by Brian Yecies and Ae-Gyung Shim of the University of Wollongong, Australia. This issue also contains translations of two short stories by the contemporary woman novelist Ch'On Un-yOng and poems by SO KOjOng (1420-1488), as well as reviews of nine recently published books in the field of Korean studies. The complete table of contents may be found at the foot of this e-mail. <br>
<br><em>Acta Koreana</em> is an English language, refereed journal that is published bi-annually on 15 June and 15 December. Submissions of academic articles, and interviews in the field of Korean studies and translations of Korean literature are accepted throughout the year, but articles intended for the next issue Vol. 14, No. 2, which will be a theme issue on Korean Confucianism and ecology, should be submitted no later than 1 September, 2011. <br>
<br>For more information about Acta Koreana's aims, editorial board, and submission guidelines, please visit our website at <a href="http://actkoreana.kmu.ac.kr/">http://actkoreana.kmu.ac.kr</a><br> <br>Best regards,<br>
<br>Michael Finch</div>
<div><strong><font size="5"><font face="Garamond"><span style="TEXT-TRANSFORM: uppercase; mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold" lang="EN-US"></span></font></font></strong> </div>
<div style="TEXT-ALIGN: center"><strong><font size="5"><font face="Garamond"><span style="TEXT-TRANSFORM: uppercase; mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold" lang="EN-US">acta koreana, vol. 14, no. 1</span></font></font></strong></div>
<div style="TEXT-ALIGN: center"><strong><font size="5"><font face="Garamond"><span style="TEXT-TRANSFORM: uppercase; mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold" lang="EN-US"></span></font></font></strong> </div>
<div style="TEXT-ALIGN: center"><strong><font size="5"><font face="Garamond"><span style="TEXT-TRANSFORM: uppercase; mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold" lang="EN-US">korean cinema theme issue </span><span style="mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold" lang="EN-US">ARTICLES</span></font></font></strong></div>
<p style="TEXT-ALIGN: center; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: Arial-BoldMT; mso-bidi-font-weight: bold" lang="EN-US"></span> </p>
<div style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: Arial-BoldMT; mso-bidi-font-weight: bold" lang="EN-US">Contemporary Korean Cinema:</span></div>
<div style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-size: 10.0pt; mso-bidi-font-family: Arial-BoldMT; mso-bidi-font-weight: bold" lang="EN-US">Challenges and the Transformation of ‘Planet Hallyuwood’</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"></span></div>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By B<span style="FONT-VARIANT: small-caps">rian Yecies </span>and<span style="FONT-VARIANT: small-caps"> Ae</span></span><span style="TEXT-TRANSFORM: uppercase; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-ansi-language: EN-AU" lang="EN-AU">-</span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-ansi-language: EN-AU" lang="EN-AU">Gyung Shim</span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-tab-count: 1"> </span>1–15</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">An Insider’s View of a Film Industry in Transition: </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Darcy Paquet’s Meditations on the Contemporary Korean Cinema</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">By<span style="FONT-VARIANT: small-caps"> </span></span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Darcy Paquet<span style="mso-bidi-font-weight: bold"><span style="mso-tab-count: 1"> </span>17–32</span></span><span style="FONT-SIZE: 11pt" lang="EN-US"><br style="mso-special-character: line-break">
<br style="mso-special-character: line-break"></span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-fareast-font-family: HY신명조" lang="EN-US">Somewhere Between Anti-Heroism and Pantomime:</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-fareast-font-family: HY신명조" lang="EN-US">Song Kang-ho and the Uncanny Face of the Korean Cinema</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">By<b> </b></span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-fareast-font-family: HY신명조" lang="EN-US">Brian Yecies</span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"><span style="mso-tab-count: 1"> </span>33–71</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<div style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"></span> </div>
<div style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Analysis of <i style="mso-bidi-font-style: normal">Changhwa Hongnyŏn</i> (<i style="mso-bidi-font-style: normal">A Tale of Two Sisters</i>)</span></div>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">—with a Special Focus on the Narrative and Characters</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">B</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">y<span style="FONT-VARIANT: small-caps"> </span></span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Seo Jeongnam<span style="mso-tab-count: 1"> </span>73</span><span style="FONT-VARIANT: small-caps; FONT-SIZE: 12pt; mso-hansi-font-family: Garamond; mso-ascii-font-family: Garamond"><font face="바탕">–</font></span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">116</span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold; mso-ansi-language: X-NONE" lang="X-NONE"> </span></p>
<div style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"></span> </div>
<div style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Three Periods of Korean Queer Cinema: </span></div>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Invisible, Camouflage, and Blockbuster<u></u></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">B</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">y<span style="FONT-VARIANT: small-caps"> Pil Ho Kim<span style="mso-bidi-font-weight: bold"><span style="mso-tab-count: 1"> </span>117–136</span></span></span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"> </span></p>
<div style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"></span> </div>
<div style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">How <i style="mso-bidi-font-style: normal">Wonderful Days</i> Became <i style="mso-bidi-font-style: normal">Sky Blue</i>: </span></div>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">The Transnational Circulation of South Korean Animation</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">B</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">y<span style="FONT-VARIANT: small-caps"> Daniel Martin<span style="mso-tab-count: 1"> </span>137–152</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"> </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">Another Undiscovered Country: Culture, Reception </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">and the Adoption of the Science Fiction Genre in South Korea</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">B</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">y<span style="FONT-VARIANT: small-caps"> Gord Sellar<b style="mso-bidi-font-weight: normal"><span style="mso-tab-count: 1"> </span></b>153<span style="mso-bidi-font-weight: bold">–174</span></span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"></span> </p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Anticommunist War Films of the 1960s </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">and the Korean Cinema’s Early Genre-bending Traditions </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-ansi-language: EN-AU" lang="EN-AU">B</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-ansi-language: EN-AU" lang="EN-AU">y<span style="FONT-VARIANT: small-caps"> Ae-Gyung Shim</span></span><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-tab-count: 1"> </span>175–196</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Planet Hallyuwood: Imaging the Korean War</span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">B</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">y<span style="FONT-VARIANT: small-caps"> Theodore Hughes <span style="mso-tab-count: 1"> </span>197<span style="mso-bidi-font-weight: bold">–212</span></span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class="MsoNormal"><b style="mso-bidi-font-weight: normal"><span style="FONT-SIZE: 12pt" lang="EN-US"><font face="바탕"> </font></span></b></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Whither the Korean Film Industry? </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">B</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">y<span style="FONT-VARIANT: small-caps"> Doobo Shim</span> <span style="FONT-VARIANT: small-caps"><span style="mso-tab-count: 1"> </span>213–227</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-spacerun: yes"> </span></span></p>
<p style="TEXT-ALIGN: center; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="center"><b style="mso-bidi-font-weight: normal"><span style="TEXT-TRANSFORM: uppercase; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 14pt; mso-bidi-font-size: 12.0pt" lang="EN-US">Articles</span></b></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Perceptions of the Ten Diagrams on Sage Learning in the Chosŏn Era: </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Focusing on Trends in Its Dissemination, Deepening and Diffusion</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">B</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">y<span style="FONT-VARIANT: small-caps"> Dongkun Lee <span style="mso-tab-count: 1"> </span>229–265</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-family: Arial; mso-fareast-font-family: 굴림" lang="EN-US">Immigration and Imperialism: </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-family: Arial; mso-fareast-font-family: 굴림" lang="EN-US">A New Look at the Japanese Takeover of Korea</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">B</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">y<span style="FONT-VARIANT: small-caps"> Wayne Patterson <span style="mso-tab-count: 1"> </span>267–274</span></span></p>
<p style="TEXT-ALIGN: center; MARGIN: 30pt 0cm 12pt; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="Topic2" align="center"><span style="mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold" lang="EN-US"><strong><font size="5"><font face="Garamond">LITERATURE IN TRANSLATION</font></font></strong></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">“Ali Skips Rope” By<span style="FONT-VARIANT: small-caps"> Ch’ŏn Un-yŏng</span> <span style="FONT-VARIANT: small-caps"></span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Translated by <span style="FONT-VARIANT: small-caps">Bruce <span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">and</span> Ju-Chan Fulton<span style="mso-tab-count: 1"> </span>275–293</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">“After Taste” By<span style="FONT-VARIANT: small-caps"> Ch’ŏn Un-yŏng</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Translated by <span style="FONT-VARIANT: small-caps">Julie Y. Min<span style="mso-tab-count: 1"> </span>295–307</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal"><b style="mso-bidi-font-weight: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></b></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Selected Poems by <span style="FONT-VARIANT: small-caps">Sŏ Kŏjŏng</span></span></p>
<p style="MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Translated by <span style="FONT-VARIANT: small-caps">Kevin O’Rourke<span style="mso-tab-count: 1"> </span>309–311</span></span></p>
<p style="TEXT-ALIGN: center; MARGIN: 30pt 0cm 12pt" class="Topic2" align="center"><span style="mso-bidi-font-size: 14.0pt; mso-bidi-font-weight: bold" lang="EN-US"><strong><font size="5"><font face="Garamond">BOOK REVIEWS</font></font></strong></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">Inside the Red Box: North Korea’s Post-totalitarian Politics</span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">By Patrick McEachern</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; LETTER-SPACING: -0.15pt; FONT-SIZE: 12pt" lang="EN-US">Brian Myers</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-tab-count: 1"> </span>313<span style="FONT-VARIANT: small-caps">–316</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"> </span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal" align="left"><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Waxen Wings: The Acta Koreana Anthology of Short Fiction from Korea</span></i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Edited by Bruce Fulton</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Charles Montgomery</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-tab-count: 1"> </span>316<span style="FONT-VARIANT: small-caps">–320</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"> </span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">Social Darwinism and Nationalism in Korea: The Beginnings (1880s–1910s)</span></i><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">:</span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">“Survival” as an Ideology of Korean Modernity<span style="mso-bidi-font-weight: bold; mso-bidi-font-style: italic"></span></span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">By Vladimir Tikhonov</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; LETTER-SPACING: -0.15pt; FONT-SIZE: 12pt" lang="EN-US">Michael C. E. Finch</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-tab-count: 1"> </span>320<span style="FONT-VARIANT: small-caps">–325</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"> </span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">Crisis in North Korea, the Failure of De-Stalinization, 1956</span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">By Andrei N. Lankov<i><span style="mso-bidi-font-weight: bold"></span></i></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">Historial Dictionary of North Korea.</span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">By Ilpyong J. Kim</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; LETTER-SPACING: -0.15pt; FONT-SIZE: 12pt" lang="EN-US">Daniel kane</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-tab-count: 1"> </span>325<span style="FONT-VARIANT: small-caps">–331</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"> </span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">Adopted Territory</span></i><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-family: Helvetica; mso-ansi-language: EN-GB; mso-bidi-language: SV" lang="EN-GB">: Transnational Korean Adoptees and the Politics of Belonging</span></i><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"></span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold; mso-bidi-font-style: italic" lang="EN-US">By Eleana J. Kim</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-tab-count: 1"> </span><span style="mso-spacerun: yes"> </span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; LETTER-SPACING: -0.15pt; FONT-SIZE: 12pt" lang="EN-US">Tobias Hubinette</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-tab-count: 1"> </span>331<span style="FONT-VARIANT: small-caps">–333</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Absolute Erotic, Absolute Grotesque: </span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">The Living, Dead, and Undead in Japan’s Imperialism, 1895</span></i><i style="mso-bidi-font-style: normal"><span style="FONT-SIZE: 12pt; mso-hansi-font-family: Garamond; mso-ascii-font-family: Garamond"><font face="바탕">–</font></span></i><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">1945</span></i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">By </span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Mark Driscoll<span style="mso-bidi-font-weight: bold"></span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; LETTER-SPACING: -0.15pt; FONT-SIZE: 12pt" lang="EN-US">Mark Caprio <span style="mso-tab-count: 1"> </span>333–337</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">Establishing a Pluralist Society in Medieval Korea, 918–1170</span></i><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-family: Arial" lang="EN-US">:</span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-family: Arial" lang="EN-US">History, Ideology and Identity in the Koryŏ Dynasty</span></i><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"></span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">By Remco E. Breuker</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; LETTER-SPACING: -0.15pt; FONT-SIZE: 12pt" lang="EN-US">Michael C. E. Finch</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-tab-count: 1"> </span>337<span style="FONT-VARIANT: small-caps">–344</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> </span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-family: 바탕; mso-font-kerning: 0pt" lang="EN-US">Cultural Studies and Cultural Industries</span></i><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"> in Northeast Asia: </span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal" align="left"><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">What a Difference a Region Makes</span></i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-family: 바탕; mso-font-kerning: 0pt" lang="EN-US"></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold; mso-bidi-font-style: italic" lang="EN-US">Edited by Chris Berry,</span><span style="FONT-FAMILY: 'Garamond','serif'" lang="EN-US"> </span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">Nicola Liscutin and Jonathan D. Mackintosh<span style="mso-bidi-font-weight: bold; mso-bidi-font-style: italic"></span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; LETTER-SPACING: -0.15pt; FONT-SIZE: 12pt" lang="EN-US">Steven Epstein</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-tab-count: 1"> </span>344<span style="FONT-VARIANT: small-caps">–349</span></span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US"> </span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><i><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold" lang="EN-US">A History of Korea</span></i><i style="mso-bidi-font-style: normal"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US">: An Episodic Narrative<span style="mso-bidi-font-weight: bold; mso-bidi-font-style: italic"></span></span></i></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt; mso-bidi-font-weight: bold; mso-bidi-font-style: italic" lang="EN-US">By Kyung Moon Hwang</span></p>
<p style="TEXT-ALIGN: left; MARGIN: 0cm 0cm 0pt; LAYOUT-GRID-MODE: char; WORD-BREAK: keep-all; tab-stops: right 380.0pt; mso-layout-grid-align: none" class="MsoNormal" align="left"><span style="FONT-VARIANT: small-caps; FONT-FAMILY: 'Garamond','serif'; LETTER-SPACING: -0.15pt; FONT-SIZE: 12pt" lang="EN-US">Michael C. E. Finch</span><span style="FONT-FAMILY: 'Garamond','serif'; FONT-SIZE: 12pt" lang="EN-US"><span style="mso-tab-count: 1"> </span>349<span style="FONT-VARIANT: small-caps">–352</span></span></p>