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size=4>Dear all,</FONT></DIV>
<DIV
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size=4>I have pleasure in forwarding details of what looks to be a</FONT></DIV>
<DIV
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size=4>fascinating forthcoming conference in Seoul.</FONT></DIV>
<DIV
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size=4>(nb I'm just the postie. Contact eddresses are
within/below.)</FONT></DIV>
<DIV
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<DIV
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size=4>Kind regards</FONT></DIV>
<DIV
style="WHITE-SPACE: normal; TEXT-TRANSFORM: none; WORD-SPACING: 0px; COLOR: rgb(0,0,0); FONT: large Cambria; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(255,255,255); TEXT-INDENT: 0px; -webkit-text-stroke-width: 0px"><FONT
size=4>Aidan FC</FONT></DIV>
<DIV
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<DIV
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size=4>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B><SPAN
style="FONT-FAMILY: Cambria; COLOR: black"><FONT size=3>Aidan
Foster-Carter</FONT></SPAN></B></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><I><SPAN
style="FONT-FAMILY: Cambria; COLOR: black">Honorary Senior Research Fellow in
Sociology & Modern Korea, Leeds University, UK</SPAN></I><SPAN lang=EN-US
style="FONT-FAMILY: Cambria; COLOR: black"></SPAN></FONT></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><I><SPAN
style="FONT-SIZE: 8pt; FONT-FAMILY: Cambria; COLOR: black"></SPAN></I><SPAN
style="FONT-SIZE: 8pt; FONT-FAMILY: Cambria; COLOR: black"></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><EM><SPAN
style="FONT-FAMILY: Cambria; COLOR: black">E</SPAN></EM><SPAN
style="FONT-FAMILY: Cambria; COLOR: black">:<SPAN
class=Apple-converted-space> </SPAN><A title=mailto:afostercarter@aol.com
style="CURSOR: pointer; COLOR: blue; TEXT-DECORATION: underline"
href="mailto:afostercarter@aol.com"><FONT
color=#0000ff>afostercarter@aol.com</FONT></A><SPAN> <SPAN
class=Apple-converted-space> </SPAN></SPAN><A
title=mailto:afostercarter@yahoo.com
style="CURSOR: pointer; COLOR: blue; TEXT-DECORATION: underline"
href="mailto:afostercarter@yahoo.com"><FONT
color=#0000ff>afostercarter@yahoo.com</FONT></A><SPAN> <SPAN
class=Apple-converted-space> </SPAN></SPAN><EM><SPAN
style="FONT-FAMILY: Cambria">W</SPAN></EM>:<SPAN
class=Apple-converted-space> </SPAN><A title=http://www.aidanfc.net/
style="CURSOR: pointer; COLOR: blue; TEXT-DECORATION: underline"
href="http://www.aidanfc.net/" target=_blank><FONT
color=#0000ff>www.aidanfc.net</FONT></A><SPAN> </SPAN></SPAN></FONT></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT size=3><I><SPAN
style="FONT-FAMILY: Cambria; COLOR: black">Skype</SPAN></I><SPAN
style="FONT-FAMILY: Cambria; COLOR: black">:<SPAN> <SPAN
class=Apple-converted-space> </SPAN></SPAN>Aidan.Foster.Carter <SPAN
class=Apple-converted-space> </SPAN><SPAN> <SPAN
class=Apple-converted-space> </SPAN></SPAN><EM><SPAN
style="FONT-FAMILY: Cambria">Twitter:</SPAN></EM><SPAN> <SPAN
class=Apple-converted-space> </SPAN></SPAN>@fcaidan<SPAN
class=Apple-converted-space> </SPAN><SPAN> </SPAN></SPAN></FONT></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 8pt; FONT-FAMILY: Cambria; COLOR: black"></SPAN> </P></FONT></DIV>
<DIV
style="WHITE-SPACE: normal; TEXT-TRANSFORM: none; WORD-SPACING: 0px; COLOR: rgb(0,0,0); FONT: large Cambria; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(255,255,255); TEXT-INDENT: 0px; -webkit-text-stroke-width: 0px"> </DIV>
<DIV
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<DIV id=divRpF825174 style="DIRECTION: ltr"><FONT color=#000000 size=2
face=Tahoma><B>From:</B><SPAN
class=Apple-converted-space> </SPAN>Announcement list for the British
Association of Film, Television and Screen Studies [<A
style="CURSOR: pointer; COLOR: blue; TEXT-DECORATION: underline"
href="mailto:BAFTSS@JISCMAIL.AC.UK">BAFTSS@JISCMAIL.AC.UK</A>] on behalf of
Berry, Chris [<A
style="CURSOR: pointer; COLOR: blue; TEXT-DECORATION: underline"
href="mailto:chris.berry@KCL.AC.UK">chris.berry@KCL.AC.UK</A>]<BR><B>Sent:</B><SPAN
class=Apple-converted-space> </SPAN>07 September 2013
09:45<BR><B>To:</B><SPAN class=Apple-converted-space> </SPAN><A
style="CURSOR: pointer; COLOR: blue; TEXT-DECORATION: underline"
href="mailto:BAFTSS@JISCMAIL.AC.UK">BAFTSS@JISCMAIL.AC.UK</A><BR><B>Subject:</B><SPAN
class=Apple-converted-space> </SPAN>CFP:Korean Cinema in a Transnational
Context – Chinese-Korean Connections and Beyond<BR></FONT><BR></DIV>
<DIV></DIV>
<DIV>
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<P class=MsoNormal><B>Korean Cinema in a Transnational Context –
Chinese-Korean Connections and Beyond</B></P>
<P
class=MsoNormal><SPAN> </SPAN></P>
<P
class=MsoNormal><SPAN> <SPAN
class=Apple-converted-space> </SPAN></SPAN>When not researched as
national cinema, Korean cinema has been most often studied as South Korean
cinema's relation to former colonialist and contemporary rival Japan or the
big Other of Hollywood. But Korean Cinema in a Transnational Context is
multiple and rhizomatic. It is both North and South Korean, and its
connections move in many other less-explored directions. In this research
programme, we open up a more neglected seam: Korean cinemas, their various
Chinese connections, and beyond along the socialist and post-socialist route
into the former Soviet Union and the new states that have been born from
it.<SPAN></SPAN></P>
<P class=MsoNormal><SPAN></SPAN> </P>
<P class=MsoNormal><B><SPAN>Organizing committee</SPAN></B><SPAN>:</SPAN></P>
<P class=MsoNormal><SPAN></SPAN> </P>
<P class=MsoNormal><SPAN>Kim Soyoung (Korean National University of
Arts)</SPAN></P>
<P class=MsoNormal><SPAN>Chris Berry (Kings College, London)</SPAN></P>
<P class=MsoNormal><SPAN>Earl Jackson (National Chiao Tung Univ. Co-director
of Trans Asia Screen Culture Institute)</SPAN></P>
<P class=MsoNormal><SPAN></SPAN> </P>
<P class=MsoNormal><B><SPAN>Venue:</SPAN></B><SPAN><SPAN
class=Apple-converted-space> </SPAN>Trans Asia Screen Culture Institute,
Seoul, Korea</SPAN></P>
<P class=MsoNormal><SPAN></SPAN> </P>
<P class=MsoNormal><B><SPAN>Dates:</SPAN></B><SPAN><SPAN
class=Apple-converted-space> </SPAN>Jan 10-12, 2014</SPAN></P>
<P
class=MsoNormal><SPAN> </SPAN></P>
<P class=MsoNormal><B>Project 1:</B></P>
<P class=MsoNormal> </P>
<P class=MsoNormal>“Sino-Korean Film Connections and Beyond: A History in
Fragments”</P>
<P class=MsoNormal> </P>
<P
class=MsoNormal><SPAN> <SPAN
class=Apple-converted-space> </SPAN></SPAN>Chinese-Korean Film
Connections have existed since the early days of cinema. However, they are
little known and often overlooked. The tumultuous and disjunctive history of
the twentieth century has made it impossible to subsume these connections into
any linear histories of the development of particular industries. In this
transnational framework, we hope to recover these connections and compose them
as a genealogical history of fragments, marked by disjuncture. Some of the
connections we have in mind include:</P>
<P class=MsoNormal> </P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>The exhibition
of North Korean films in the People's Republic of China during the Cultural
Revolution decade (1966 to 1976)</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>South Korean
directors in Hong Kong in the 1960s and 70s, esp. Cheng Chang-ho/Chung
Chang-hwa</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>King Hu's use of
Korean locations to stand in for ancient China</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>Chinese-Koreans,
Yanbian, and Koreans from the former Soviet republics in contemporary Korean
cinema</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>K-dramas'
popularity in Chinese-speaking territories over the last decade</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>The Korean
filmmaking exile community in Shanghai in the 1930s, including leading male
star Jin Yan/Kim Yom</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>Bruce Lee as a
generative force in Korean action cinema.</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>Hong Kong noir's
impact on the formation of Korean noir in the 1990s</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>Koreans working
in the Man'ei Studio in Manchukuo in the 1930s</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>Zhao Liang's
documentaries on the North Korean-Chinese border</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>The opening of
Lou<SPAN> <SPAN class=Apple-converted-space> </SPAN></SPAN>Ye's<SPAN
class=Apple-converted-space> </SPAN><I>Summer Palace</I><SPAN
class=Apple-converted-space> </SPAN>on the Tumen/Dooman River</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>Co-productions
(historical and recent): Hong Kong, China, Taiwan, South Korean, North Korea,
and the former Soviet Union and successor states</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>Man'ei's
connection to North Korean film production</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>PRC-North Korea
co-productions in th 1950s and 60s</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>Ri Koran/Li
Xianglan/Yamaguchi Yoshiko/Shirley Yamaguchi/Okada Yoshiko acting in a film
made in Korea, as well as<I>Sayon's Bell</I><SPAN
class=Apple-converted-space> </SPAN>(Taiwan) and<SPAN
class=Apple-converted-space> </SPAN><I>Eternal Fame<SPAN
class=Apple-converted-space> </SPAN></I>(Shanghai)</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>The finding of
“lost” Korean films in Chinese film archives and Mosfilm archives</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>The televising
foreign films in North Korean, including Chinese films</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>The role of
Koreans in Shanghai-Man'ei connections</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>The popularity
of South Korean melodrama films in 1960s Taiwan</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>North
Korean-Chinese animation co-productions</P>
<P class=MsoNormal style="MARGIN-LEFT: 50.15pt; TEXT-INDENT: -18pt"><SPAN
style="FONT-FAMILY: Symbol"><SPAN>·<SPAN
style="FONT: 7pt 'Times New Roman'"> <SPAN
class=Apple-converted-space> </SPAN></SPAN></SPAN></SPAN>Depictions of
the Korean War in PRC films</P>
<P class=MsoNormal style="MARGIN-LEFT: 14.15pt"> </P>
<P class=MsoNormal>We seek to build an online archive of fragments and to
produce a volume of scholarship on this topic. Are you aware of traces of
these and other fragments? Would you like to tell us about them, or to send us
PDFs and photographs of material to be shared with other academics? We will
build an online archive to house these materials.</P>
<P class=MsoNormal><SPAN></SPAN> </P>
<P class=MsoNormal>Please contact us at:<SPAN
class=Apple-converted-space> </SPAN><B><A
style="CURSOR: pointer; COLOR: blue; TEXT-DECORATION: underline"
href="mailto:transarchive2014@gmail.com">transarchive2014@gmail.com</A></B></P>
<P class=MsoNormal> </P>
<P class=MsoNormal>Are you writing on one of these topics? Would you like to
give a paper and contribute to an edited volume? We plan to hold a conference
on this topic in January 2014, and then edit a book or a special issue of a
journal based on the papers. Please send us your title and a 250-word abstract
by 30 September to:</P>
<P class=MsoNormal><B><SPAN></SPAN></B> </P>
<P class=MsoNormal><B><SPAN><A
style="CURSOR: pointer; COLOR: blue; TEXT-DECORATION: underline"
href="mailto:transarchive2014@gmail.com">transarchive2014@gmail.com</A></SPAN></B><B><SPAN></SPAN></B></P>
<P class=MsoNormal> </P>
<P class=MsoNormal><B>Project 2:</B></P>
<P class=MsoNormal> </P>
<P class=MsoNormal>“Zhang Lu—Nomad Cinema of China and Korea”</P>
<P class=MsoNormal> </P>
<P
class=MsoNormal><SPAN> <SPAN
class=Apple-converted-space> </SPAN></SPAN>Born in China of Korean
parents, Zhang Lu has made films in Beijing (<I>Tang Poetry</I>); North China
(<I>Grain in Ear</I>); Mongolia (<I>Hyazgar</I>, a.k.a.<I>Desert Dream</I>);
Iksan (<I>Iri</I><SPAN>,South Korea</SPAN><I>)</I>;<SPAN
class=Apple-converted-space> </SPAN><I>Chongqing</I>; on the
Chinese-North Korean border (<I>Dooman River</I>; Ansan and Garipong
(<I>Landscape</I>); and<SPAN
class=Apple-converted-space> </SPAN><I>Kyongju</I>. Over a decade of
nomadic filmmaking, he has established himself as an auteur of minor
transnationalism. He himself considers his practice to be “internationalist.”
To mark his achievement, we plan a conference in Seoul in early January 2014,
followed by either a book or a special issue of a journal. If you are
interested in taking part in this project, please send us the proposed title
of your paper and a 250-word abstract by 30 September to:</P>
<P class=MsoNormal><B><SPAN></SPAN></B> </P>
<P class=MsoNormal><B><SPAN><A
style="CURSOR: pointer; COLOR: blue; TEXT-DECORATION: underline"
href="mailto:transcinema2014@gmail.com">transcinema2014@gmail.com</A></SPAN></B><SPAN></SPAN></P>
<P class=MsoNormal><SPAN></SPAN> </P>
<P class=MsoNormal><SPAN>Chris Berry and Kim Soyoung</SPAN></P>
<P class=MsoNormal><SPAN></SPAN> </P>
<P class=MsoNormal><SPAN></SPAN> </P>
<P class=MsoNormal><SPAN></SPAN> </P>
<DIV><BR>
<DIV style="FONT-SIZE: 13px; FONT-FAMILY: Tahoma">Professor Chris
Berry<BR>Dept. of Film Studies<BR>King's College London<BR>Strand,
London<BR>WC2R
2LS<BR>UK<BR><BR>44-(0)207-848-1158</DIV></DIV></DIV></DIV></DIV></DIV></DIV></FONT></BLOCKQUOTE></DIV></FONT></DIV></FONT></BODY></HTML>