<div dir="ltr"><div class="gmail_quote"><div bgcolor="#FFFFFF" text="#000000"><p class="MsoNormal" style="background:white"><b><i><span>New Online Content:  Cross-Currents: East Asian History and
            Culture Review</span></i></b><b><span><br>
*************************************************************************************<u></u><u></u></span></b></p>
    <b><span></span></b><span><a href="https://cross-currents.berkeley.edu/e-journal/issue-9" target="_blank"><b>December </b></a><a href="https://cross-currents.berkeley.edu/e-journal/issue-9" target="_blank"><b>2013 e-journal</b></a><u></u><u></u></span>
    <p class="MsoNormal" style="background:white"><span>Special issue: "The Globalization of K-pop: Local
        and Transnational Articulations of South Korean Popular Music" <br>
        Guest edited by John Lie (UC Berkeley)</span><span>
        <br>
        <br>
        <a href="https://cross-currents.berkeley.edu/e-journal/issue-9/note-to-readers" target="_blank">Co-editors'
Note



          to Readers</a><u></u><u></u></span></p>
    <p class="MsoNormal"><b><u><span>Articles</span></u></b><span><br>
        <u></u><u></u></span></p>
    <p class="MsoNormal"><u><span><a href="https://cross-currents.berkeley.edu/e-journal/issue-9/introduction-k-pop" target="_blank">Introduction
to



            "<span>The Globalization
              of K-pop”</span><br>
          </a></span></u><span>John



        Lie (UC Berkeley)<u></u><u></u></span><span style="font-size:11.0pt;font-family:"Times New Roman""><u></u> <u></u></span> </p>
    <p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Times New Roman""><a href="https://cross-currents.berkeley.edu/e-journal/issue-9/lie" target="_blank">Why



          Didn’t “Gangnam Style” Go Viral in Japan?: Gender Divide and
          Subcultural Heterogeneity in Contemporary Japan</a><br>
        John Lie (UC Berkeley) <u></u><u></u></span></p>
    <p class="MsoNormal"><span><a href="https://cross-currents.berkeley.edu/e-journal/issue-9/otmazgin-lyan" target="_blank">Hallyu
across



          the Desert: K-pop Fandom in Israel and Palestine</a><br>
        Nissim Otmazgin and Irina Lyan (Hebrew University of Jerusalem)<u></u><u></u></span></p>
    <p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Times New Roman""><a href="https://cross-currents.berkeley.edu/e-journal/issue-9/sung" target="_blank">K-pop
Reception



          and Participatory Fan Culture in Austria</a><br>
        Sang-Yeon Sung (University of Vienna)<u></u><u></u></span></p>
    <p class="MsoNormal"><span><a href="https://cross-currents.berkeley.edu/e-journal/issue-9/oh-and-lee" target="_blank">K-pop



          in Korea: How the Pop Music Industry is Changing a
          Post-Developmental Society</a><br>
        Ingyu Oh (Korea University) and Hyo-Jung Lee (Yonsei University)<u></u><u></u></span></p>
    <p class="MsoNormal"><b><u><span>Review Essays, Notes & Bibliographies <br>
          </span></u></b><span><u></u><u></u></span></p>
    <p class="MsoNormal"><span><a href="https://cross-currents.berkeley.edu/e-journal/issue-9/stern-tam" target="_blank">Law



          as a Contested Terrain under Authoritarianism</a><br>
        Ching Kwan Lee (UC Los Angeles)<u></u><u></u></span></p>
    <p class="MsoNormal"><span>Rachel Stern. <i>Environmental Litigation in
          China: A Study in Political Ambivalence. </i>Cambridge: Cambridge
University



        Press, 2013. 310 pp. $99 (cloth).<u></u><u></u></span></p>
    <p class="MsoNormal"><span>Waikeung Tam. <i>Legal Mobilization under
          Authoritarianism: The Case of Post-Colonial Hong Kong. </i>Cambridge:



        Cambridge University Press, 2012. 234 pp. $95 (cloth).<u></u><u></u></span></p>
    <p class="MsoNormal"><span><a href="https://cross-currents.berkeley.edu/e-journal/issue-9/kam-vincent" target="_blank"><span>Historicizing Queer
            Stories from Asia</span></a><br>
        Petrus Liu (Yale-NUS College)<br>
        <u></u><u></u></span></p>
    <p class="MsoNormal"><span>Lucetta Yip Lo Kam. <i>Shanghai Lalas: Female
          Tongzhi Communities and Politics in Urban China.</i></span><span> </span><span>Hong Kong: Hong Kong University
        Press, 2012. 152 pp. $45 (cloth), $25 (paper).<u></u><u></u></span></p>
    <p class="MsoNormal"><span>J. Keith Vincent. <i>Two-Timing Modernity:
          Homosocial Narrative in Modern Japanese Fiction. </i>Cambridge,
MA: Harvard



        University Press, 2012. 248 pp. $40 (cloth).<u></u><u></u></span></p>
    <p class="MsoNormal"><span><a href="https://cross-currents.berkeley.edu/e-journal/issue-9/meyer-fong--moore" target="_blank"><span>Coming to Terms with War:
            Traumas, Identities, and the Power of Words</span></a><br>
        R. Keith Schoppa (Loyola University Maryland)<br>
        <u></u><u></u></span></p>
    <p class="MsoNormal"><span>Tobie Meyer-Fong. <i>What Remains: Coming to
          Terms with Civil War in 19th Century China. </i>Stanford,
        CA: Stanford University Press, 2013. 336 pp. $40 (cloth/ebook).<u></u><u></u></span></p>
    <p class="MsoNormal"><span>Aaron William Moore. <i>Writing War: Soldiers
          Record the Japanese Empire.</i></span><i><span> </span></i><span>Cambridge, MA: Harvard University
        Press, 2013. 388 pp. $45 (cloth/ebook).<u></u><u></u></span></p>
    <p class="MsoNormal" style="background:white"><b><u><span>Photo Essay</span></u></b><span><br>
        <u></u><u></u></span></p>
    <span><a href="https://cross-currents.berkeley.edu/e-journal/issue-9" target="_blank">Dance



        of Anguish: Poetic Texts from 1920s Korea</a><u></u><u></u></span><span><br>
      Curator: Wayne de Fremery<u></u><u></u></span>
    <p class="MsoNormal" style="background:white"><span><a href="https://cross-currents.berkeley.edu/e-journal/issue-9/defremery" target="_blank">Printshops,
Pressmen,



          and the Poetic Page in Colonial Korea<br>
        </a>Wayne de Fremery (Sogang University)<b><u><br>
          </u></b><u></u><u></u></span></p>
    <p class="MsoNormal"><b><u><span>Readings from Asia<u></u><u></u></span></u></b></p>
    <p class="MsoNormal"><span><a href="https://cross-currents.berkeley.edu/e-journal/issue-9/readings-korea" target="_blank">The
Microhistory



          of Anti-Japanese Speech Acts </a><br>
        Andre Schmid (University of Toronto)<br>
        <u></u><u></u></span></p>
    <p class="MsoNormal"><span>Jung Byung Wook,</span><span> <i>Puron yŏlchŏn: Mich’in
          saenggaggi paetsok esŏ naonda</i> </span><span>[The biographies of
        rebellious people in colonial Korea]. Seoul: Yŏksabipyŏngsa,
        2013. ISBN</span><b><span>:</span></b><span> </span><span>9788976965431.</span><span><br>
      </span></p>
    <pre cols="72">Submitted by:

Keila Diehl, Ph.D.
Managing Editor
<i>Cross-Currents: East Asian History and Culture Review</i>
Institute of East Asian Studies, UC Berkeley
2223 Fulton St., 6th Floor
Berkeley, CA 94720-2318
tel. 510-643-0704
fax 510-643-7062
<a href="http://cross-currents.berkeley.edu" target="_blank">http://cross-currents.berkeley.edu</a>
<a href="https://www.facebook.com/crosscurrentsjournal" target="_blank">https://www.facebook.com/crosscurrentsjournal</a></pre>
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