<div dir="ltr"><div class="gmail_default" style="font-size:small"><div style="font-family:arial,sans-serif;font-size:13px">Dear KS List members,</div><div style="font-family:arial,sans-serif;font-size:13px"> </div><div style="font-family:arial,sans-serif;font-size:13px">
Academia Koreana, the Korean studies research institute of Keimyung University, is pleased to announce the publication of Ac<em>ta Koreana</em>, Vol. 17, No. 1, the complete table of contents of which may be found at the foot of this e-mail. All the articles in this issue and all previous issues of the journal are freely accessible on EBSCOhost, eArticle.net, Google Scholar and at the <em>Acta Koreana </em>homepage: <a href="http://www.actakoreana.org/" target="_blank">http://www.actakoreana.org</a>.</div>
<div style="font-family:arial,sans-serif;font-size:13px"> <br><em>Acta Koreana</em> is an English language, refereed journal that is published semi-annually on June 15 and December 15. It is indexed in Thomson Reuters Arts and Humanities Citation Index (A&HCI) and Elsevier's SCOPUS. Submissions of academic papers in the field of Korean arts and humanities and translations of Korean literature are accepted for peer review throughout the year, but papers to be considered for the next issue, Vol. 17, No. 2, should be submitted no later than August 1, 2013.  <br>
</div><div style="font-family:arial,sans-serif;font-size:13px"> </div><div style="font-family:arial,sans-serif;font-size:13px">Best wishes,<br> <br>Michael Finch</div><div style="font-family:arial,sans-serif;font-size:13px">
<br></div><div style="font-family:arial,sans-serif;font-size:13px"><br></div><div style="font-family:arial,sans-serif;font-size:13px">Dr. Michael C. E. Finch</div><div style="font-family:arial,sans-serif;font-size:13px">Professor, Department of Korean Studies</div>
<div style="font-family:arial,sans-serif;font-size:13px">Keimyung University</div><div style="font-family:arial,sans-serif;font-size:13px">Daegu, Korea</div><div style="font-family:arial,sans-serif;font-size:13px">Tel: 82-53-580-5316</div>
<div style="font-family:arial,sans-serif;font-size:13px"><br></div><div style="font-family:arial,sans-serif;font-size:13px"><br></div><div style="font-family:arial,sans-serif;font-size:13px"><br></div><div style="font-family:arial,sans-serif;font-size:13px">
<br></div><div style="font-family:arial,sans-serif;font-size:13px"><table border="1" cellspacing="0" cellpadding="0" style="margin-left:5.4pt;border-collapse:collapse;border:none"><tbody><tr style="height:9pt"><td width="507" valign="top" style="width:380.25pt;border-style:solid none none;border-top-color:windowtext;border-top-width:1pt;padding:0cm 5.4pt;height:9pt">
<p class="MsoNormal" align="center" style="text-align:center"><b><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"> </span></b></p><p class="MsoNormal" align="center" style="text-align:center;line-height:16.899999618530273px">
<b><span lang="EN-US" style="font-size:14pt;line-height:24.266664505004883px;font-family:Garamond,serif"><i>ACTA KOREANA</i>, VOL. 17, NO, 1</span></b></p><p class="MsoNormal" align="center" style="text-align:center;line-height:16.899999618530273px">
<b><span lang="EN-US" style="font-size:14pt;line-height:24.266664505004883px;font-family:Garamond,serif"><br></span></b></p><p class="MsoNormal" align="center" style="text-align:center;line-height:16.899999618530273px"><b><span lang="EN-US" style="font-size:14pt;line-height:24.266664505004883px;font-family:Garamond,serif">THEME ISSUE ARTICLES</span></b></p>
<p class="MsoNormal" align="center" style="text-align:center;line-height:16.899999618530273px"><b><span lang="EN-US" style="font-size:12pt;line-height:20.799999237060547px;font-family:Garamond,serif"> </span></b></p><p class="MsoNormal" align="center" style="text-align:center;line-height:16.899999618530273px">
<b><span lang="EN-US" style="font-size:12pt;line-height:20.799999237060547px;font-family:Garamond,serif">SENSIBILITY AND LANDSCAPE IN KOREAN LITERATURE AND FILM</span></b></p></td></tr></tbody></table><p class="MsoNormal" align="center" style="text-align:center">
<b><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"> </span></b></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Guest Editor’s Introduction<span style="font-variant:small-caps"></span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">Kimberly Chung</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">                                                                                          1–4</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Kim So-wŏl’s <i>Chindallaekkot </i>(Azaleas) as an Immersive Environment</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Wayne de Fremery </span>and<span style="font-variant:small-caps"> Kim Jusub                                                               5–27</span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Oriental Sublime: Sŏkkuram in the Japanese Imperial Landscape</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> Hwang</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"> </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">Jongyon</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">                                                                                        29–60</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Life and Landscape in the Utopia Stories of Late Chosŏn <i>Yadam </i>(</span><span style="font-family:SimSun">野談</span><span lang="EN-US" style="font-family:SimSun">)</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps;color:black">Lee Kang-ok</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">                                                                                             61–83</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Colonial Horrors: The Starving Ghost in Colonial Korean Mass Culture</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">Kimberly Chung</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">                                                                                        85–103</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"> </span></p><p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Mirror Play, or Subjectivization in <i>3 Iron</i>: Based on Lacan’s Analysis of</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"></span></p>
<p class="MsoNormal" align="left"><i><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Las Meninas</span></i><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"> and </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">H</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">is Optical Model</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">Kim Soh-Youn</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">                                                                                         105–135</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">                                                                                                                              </span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;color:black">Beyond Vengeance: Landscapes of Violence in Jang Chul-soo’s <i>Bedevilled</i></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;color:black">(<i>Kim Pong-nam Sarinsakŏn ŭi Chŏnmal</i><i>, </i>2010)</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">Michelle Cho</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">                                                                                           137–162</span></p>
<p class="MsoNormal"><b style="text-align:center"><span lang="EN-US" style="font-size:14pt;font-family:Garamond,serif"><br></span></b></p><p class="MsoNormal"><b style="text-align:center"><span lang="EN-US" style="font-size:14pt;font-family:Garamond,serif"><br>
</span></b></p><p class="MsoNormal"><b style="text-align:center"><span lang="EN-US" style="font-size:14pt;font-family:Garamond,serif">                                            ARTICLES</span></b></p><p class="MsoNormal">
<b style="text-align:center"><span lang="EN-US" style="font-size:14pt;font-family:Garamond,serif"><br></span></b></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Chinul’s Hwaŏm Thought in the <i>Hwaŏmnon Chŏryo</i></span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Koh Seung-hak                                                                                        163–191</span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Ancient Korean <i>Mokkan </i>(Wooden Slips): With a Special Focus</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">on their Features and Uses</span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Kim</span><span style="font-variant:small-caps"> Chang-seok                                                                                        193–222</span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">A Study of Early Koryŏ<i> </i>Statues of the Great Monk Sengqie Excavated</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">from P’an’gyo-dong, Sŏngnam City</span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Kang Heejung                                                                                            223–253</span><span style="font-variant:small-caps"></span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">The Theory and Practice of Sage Politics: The Political Philosophies and</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Neo-Confucian Bases of Yi Hwang and Yi I</span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">Kim Hyoungchan</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">                                                                                        255–284</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">An Evolving Confucian Patriarchy: An Analysis of Wedding and</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Funeral Rites in Sixteenth-Century Korea</span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Park Mee Hae                                                                                             285–306</span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Discontinuity and Continuity in the Traditional Korean Judicial System</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">During Its Modern Reform Period, 1894 to 1905</span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Do Myoun-hoi                                                                                            307–338</span><span style="font-variant:small-caps"></span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">The Confucian Background of Modern “Heroes” in the </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">W</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">ritings of Sin</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Ch’aeho—</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">I</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">n </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">C</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">omparison with </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">T</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">hose of Liang Qicao</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Vladimir Tikhonov </span>and<span style="font-variant:small-caps"> Yi Hye Gyung                                                        339–374</span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Conversion Novels and the Conversion Narratives of <i>Kamsangnok</i> in</span></p>
<p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Colonial Korea</span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Jeong Jong-Hyun                                                                                         375–397</span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">“No Country for the New Woman”: Rethinking Gender and Cultural</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Nationalism in Colonial Korea through Kim Myŏngsun</span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Rhee</span> <span style="font-variant:small-caps">Jooyeon                                                                                               399–427</span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">The Institute of Pacific Relations and the Korean Problem during</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">the Pacific War</span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Ko Jung-Hyoo </span></span><span style="font-variant:small-caps;font-family:Garamond,serif;font-size:12pt">                                                                                            </span><span style="font-variant:small-caps;font-family:Garamond,serif;font-size:12pt">429–453</span></p>
<p class="MsoNormal"><span style="font-variant:small-caps;font-family:Garamond,serif;font-size:12pt"><br></span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Genre Conventions of South Korean Hostess Films (1974–1982):</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Prostitutes and the Discourse of Female Sacrifice</span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Molly Hyo Kim                                                                                            455–477</span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"> </span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">The Cyber Bullying of Pop Star Tablo</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"> </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">and South Korean Society:</span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Hegemonic Discourses on Educational Background and Military Service</span></p><p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By <span style="font-variant:small-caps">Shim Doobo                                                                                                  479–504</span></span></p>
<p class="MsoNormal"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"><span style="font-variant:small-caps"><br></span></span></p><p class="MsoNormal"><b style="text-align:center"><br></b></p><p class="MsoNormal">
<b style="text-align:center">                                                        BOOK REVIEWS</b></p><p class="MsoNormal"><b style="text-align:center"><br></b></p><p class="MsoNormal" align="left"><i><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Transnational Sport: Gender, Media, and Global Korea</span></i></p>
<p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By<i> </i>Rachel Miyung Joo</span></p><p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">Robert Oppenheim                                                                                             505–509</span></p>
<p class="MsoNormal" align="left"><i><span lang="EN-US" style="font-size:11pt;font-family:Garamond,serif"> </span></i></p><p class="MsoNormal" align="left"><i><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">The Making of Korean Christianity:</span></i></p>
<p class="MsoNormal" align="left"><i><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Protestant Encounters with Korean Religions, 1876–1915</span></i></p><p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By<font color="#000000"> Sung-Deuk Oak </font></span></p>
<p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">Paul S. Cha</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">                                                                                                        509–514</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"></span></p>
<p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"> </span></p><p class="MsoNormal" align="left"><i><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">The New Korea: An Inside Look at South Korea’s Economic Rise</span></i></p>
<p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Myung Oak Kim and Sam Jaffe</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"></span></p>
<p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">Daniel Schwekendiek                                                                                         514–517</span></p>
<p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p><p class="MsoNormal" align="left"><i><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Rat Fire: Korean Stories from the Japanese Empire</span></i></p>
<p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">By </span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">Theodore Hughes, Jae-Yong Kim, Jin-kyung Lee</span></p>
<p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif">and Sang-Kyung Lee</span><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif"></span></p><p class="MsoNormal" align="left">
<span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps">Kevin O’Rourke                                                                                                 517–521</span></p>
<p class="MsoNormal" align="left"><span lang="EN-US" style="font-size:12pt;font-family:Garamond,serif;font-variant:small-caps"> </span></p></div></div></div>