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</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US" style="font-family:"Garamond","serif""><font color="#000000" face="arial,helvetica,sans-serif">Dear KS List members,</font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><font color="#000000"><font face="arial,helvetica,sans-serif"><span lang="EN-US">Academia Koreana, the Korean studies research institute of
Keimyung University, is pleased to announce the publication of <i>Acta Koreana</i>, Vol. 21, No. 2, </span><span lang="EN-US">with the theme of “The
Insiders and Outsiders of Korean Culture,” guest-edited by Dr. Olga Fedorenko. </span><span lang="EN-US">The complete
table of contents of which can be found at the end of this e-mail. All the
articles in this issue and all previous issues of the journal are freely
accessible on our website: <a href="http://www.actakoreana.org/">www.actakoreana.org</a></span></font></font></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><font color="#000000"><font face="arial,helvetica,sans-serif"><i><span lang="EN-US">Acta Koreana</span></i><span lang="EN-US"> is an
English language refereed journal that is published semi-annually on June 15
and December 15. It is indexed in Thomson Reuters Arts and Humanities Citation
Index (A&HCI), Elsevier's SCOPUS, Bibliography of Asian Studies (BAS) of
the Association for Asian Studies, and the Korea Citation Index (KCI). Submissions
of academic papers in the field of Korean arts and humanities and translations
of Korean literature are accepted for peer review throughout the year. </span></font></font></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">Best wishes,</font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">Janet Yoon-sun Lee</font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">Managing Editor </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><i><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">Acta Koreana</font></span></i></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt;line-height:150%"><b><span lang="EN-US" style="line-height:150%"><font color="#000000" face="arial,helvetica,sans-serif">Acta Koreana, Vol. 21, No. 2, December 2018</font></span></b></p><p style="margin:0cm 0cm 0pt;line-height:150%"><b><span lang="EN-US" style="line-height:150%"><font color="#000000"></font></span></b><br></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 10pt"><b><span lang="EN-US" style="line-height:115%"><font color="#000000" face="arial,helvetica,sans-serif">Theme Issue
Articles: The Insiders and Outsiders of Korean Culture</font></span></b></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">Worshiping the Goddesses of P’albong Mountain: Regional
Variation, Authenticity, and Tradition </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">CLARK W. SORENSEN</font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">At the Gates of Babel: the Globalization of Korean
Literature as World Literature </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">JENNY WANG MEDINA </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">Everywhere and Nowhere: An Ethnomusicologist Living and
Working in Korea </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">HILARY VANESSA FINCHUM-SUNG </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">No Frame to Fit It All: An Autoethnography on Teaching
Undergraduate Korean Studies, on and off the Peninsula </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">CEDARBOUGH T. SAEJI </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt;line-height:150%"><b><span lang="EN-US" style="line-height:150%"><font color="#000000" face="arial,helvetica,sans-serif">General Articles</font></span></b></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">Tree Motifs in Seventh-century Silla
Steles</font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><font color="#000000"><font face="arial,helvetica,sans-serif"><span lang="EN-US">K</span><span lang="EN-US">IM </span><span lang="EN-US">S</span><span lang="EN-US">UNKYUNG</span></font></font></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><font color="#000000"><font face="arial,helvetica,sans-serif"><span lang="EN-US">Between Morality and Crime: Filial
Daughters and Vengeful Violence</span><span lang="EN-US"> </span><span lang="EN-US">in Eighteenth-century Korea</span></font></font></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><font color="#000000"><font face="arial,helvetica,sans-serif"><span lang="EN-US">K</span><span lang="EN-US">IM </span><span lang="EN-US">J</span><span lang="EN-US">UNGWON</span></font></font></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000"><font face="arial,helvetica,sans-serif">New Trends in Commentary on the
Confucian Classics: Characteristics, Differences, and Significance of
Rhetorically Oriented Exegeses of the <i>Mengzi </i></font></font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><font color="#000000"><font face="arial,helvetica,sans-serif"><span lang="EN-US">Y</span><span lang="EN-US">OU </span><span lang="EN-US">M</span><span lang="EN-US">INJUNG</span></font></font></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">Resembling the Opponent: Nationalist
and Colonialist Historiographies in Modern Korea </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><font color="#000000"><font face="arial,helvetica,sans-serif"><span lang="EN-US">S</span><span lang="EN-US">HIN </span><span lang="EN-US">S</span><span lang="EN-US">EUNGYOP
</span></font></font></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif">The Genealogy of Korean Modernism in
Poetry: Focus on Translations of W. B. Yeats </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><font color="#000000"><font face="arial,helvetica,sans-serif"><span lang="EN-US">K</span><span lang="EN-US">IM </span><span lang="EN-US">H</span><span lang="EN-US">ANSUNG
</span><span lang="EN-US">and C</span><span lang="EN-US">HOI </span><span lang="EN-US">J</span><span lang="EN-US">UNGA</span></font></font></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt;line-height:150%"><b><span lang="EN-US" style="line-height:150%"><font color="#000000" face="arial,helvetica,sans-serif">Translation</font></span></b></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt;text-align:justify"><font color="#000000"><font face="arial,helvetica,sans-serif"><i><span lang="EN-US">Yu Sorang chon, </span></i><span lang="EN-US">translated
by C</span><span lang="EN-US">HO </span><span lang="EN-US">S</span><span lang="EN-US">OOKJA
</span><span lang="EN-US"> </span></font></font></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt;text-align:justify"><font color="#000000"><font face="arial,helvetica,sans-serif"><span lang="EN-US">Selected
Poems by Yi Tal</span><span lang="EN-US">, translated by C</span><span lang="EN-US">HRISTINA
</span><span lang="EN-US">H</span><span lang="EN-US">AN </span><span lang="EN-US">and
W</span><span lang="EN-US">ING </span><span lang="EN-US">S. C</span><span lang="EN-US">HU</span></font></font></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><b><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></b></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt;line-height:150%"><b><span lang="EN-US" style="line-height:150%"><font color="#000000" face="arial,helvetica,sans-serif">Book Reviews</font></span></b></p><font color="#000000" face="arial,helvetica,sans-serif">
</font><p style="margin:0cm 0cm 0pt"><font color="#000000"><font face="arial,helvetica,sans-serif"><span lang="EN-US">John
Jorgensen,<i> The Foresight of Dark Knowing: Chŏng Kam nok and Insurrectionary
Prognostication in Pre-Modern Korea</i></span><span lang="EN-US">, reviewed
by D</span><span lang="EN-US">ON </span><span lang="EN-US">B</span><span lang="EN-US">AKER</span></font></font></p><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000"><font face="arial,helvetica,sans-serif"><span lang="EN-US">Minjeong Kim,<i> Elusive Belonging:
Marriage Immigrants and “Multiculturalism” in Rural South Korea, </i>reviewed by</span><span lang="EN-US"> </span><span lang="EN-US">T</span><span lang="EN-US">OBIAS
</span><span lang="EN-US">H</span><span lang="EN-US">ÜBINETTE
</span>
</font></font></span></p><p style="margin:0cm 0cm 0pt"><span lang="EN-US"><font color="#000000" face="arial,helvetica,sans-serif"> </font></span></p><font color="#000000" face="굴림">
</font><br>-- <br><div class="gmail_signature" dir="ltr"><div dir="ltr"><div><span style="color:rgb(129,129,129);font-family:arial,helvetica,sans-serif">Academia Koreana </span><br></div><div><span style="color:rgb(129,129,129)"><font face="arial, helvetica, sans-serif">Keimyung University, </font></span></div><div><font face="arial, helvetica, sans-serif"><span style="color:rgb(129,129,129)">1095 Dalgubeol-daero, Daegu 42601, Republic of Korea</span><br style="margin:0px;padding:0px;color:rgb(129,129,129)"><span style="color:rgb(129,129,129)">E-mail: <a href="mailto:acta@kmu.ac.kr" target="_blank">acta@kmu.ac.kr</a> </span></font></div><div><font face="arial, helvetica, sans-serif"><span style="color:rgb(129,129,129)">Tel: 82-53-580-5898</span> </font></div></div></div></div></div>