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<p class="MsoNormal"
style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;
margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:
.01gd;mso-para-margin-left:0in"><span
style="mso-bidi-font-size:10.0pt;
font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman"">New
Korea-Related Content: <i style="mso-bidi-font-style:normal">Cross-Currents:
East Asian History and Culture Review</i> (<a
href="https://cross-currents.berkeley.edu/e-journal/issue-29"><span
style="color:blue">December 2018 online issue)</span></a>:</span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman";mso-bidi-font-family:
"Times New Roman""><br>
Special issue: “Diasporic Art and Korean Identity” </span></b><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""></span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman";
mso-bidi-font-family:"Times New Roman"">Guest edited
by Hijoo Son (Phillips
Academy) and Jooyeon Rhee (The Hebrew University of Jerusalem)</span></p>
<p class="MsoNormal"><br>
<span style="mso-bidi-font-size:10.0pt;font-family:"Times
New Roman""></span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""><b style="mso-bidi-font-weight:normal"><u><span
style="mso-bidi-font-size:10.0pt;font-family:"Times
New Roman";mso-bidi-font-family:
"Times New Roman"">Articles</span></u></b> <br>
</span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""><br>
</span></p>
<p class="MsoNormal"
style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;
margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:
.01gd;mso-para-margin-left:0in"><span
style="mso-bidi-font-size:10.0pt;
font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""><a
href="https://cross-currents.berkeley.edu/e-journal/issue-29/son-rhee"><span
style="color:blue">Introduction to </span></a><a
href="https://cross-currents.berkeley.edu/e-journal/issue-29/son-rhee"><span
style="color:blue">"Diasporic Art and Korean Identity"</span></a><br>
Hijoo Son (Phillips Academy) and Jooyeon Rhee (The Hebrew
University of
Jerusalem)</span></p>
<p class="MsoNormal"
style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;
margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:
.01gd;mso-para-margin-left:0in"><span
style="mso-bidi-font-size:10.0pt;
font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""><br>
</span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""><a
href="https://cross-currents.berkeley.edu/e-journal/issue-29/an"><span
style="color:blue">The Forgotten Childhoods of Korea:
Ounie Lecomte's "A
Brand New Life" (2009) and So Yong Kim's "Treeless
Mountain"
(2009)</span></a><br>
Ji-yoon An (University of Tübingen) </span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""><a
href="https://cross-currents.berkeley.edu/e-journal/issue-29/sands"><span
style="color:blue"><br>
</span></a></span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""><a
href="https://cross-currents.berkeley.edu/e-journal/issue-29/sands"><span
style="color:blue">Performing in the “Cultural
Borderlands”: Gender, Trauma,
and Performance Practices of a North Korean Women’s
Musical Troupe in South
Korea</span></a></span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman"">Iain
Sands (Stockholm University)</span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""> </span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""><a
href="https://cross-currents.berkeley.edu/e-journal/issue-29/son"><span
style="color:blue">The Diasporic Intimacy and
Transindividuality of Artists
Himan Sŏk (1914-2003) and Jun Ch’ae (1926- )</span></a><br>
Hijoo Son (Phillips Academy)</span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""> </span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><u><span
style="mso-bidi-font-size:10.0pt;font-family:"Times
New Roman"">Interview</span></u></b><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""></span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""> </span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""><a
href="https://cross-currents.berkeley.edu/e-journal/issue-29/chung"><span
style="color:blue">Decentering Korean Identity with
Diasporic Art: A
Conversation with Y. David Chung</span></a></span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman"">Y.
David Chung (University of Michigan), in conversation with
Hijoo Son and Jooyeon
Rhee</span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""> </span></p>
<p class="MsoNormal"><b style="mso-bidi-font-weight:normal"><u><span
style="mso-bidi-font-size:10.0pt;font-family:"Times
New Roman"">Photo Essays</span></u></b></p>
<p class="MsoNormal"><br>
<b style="mso-bidi-font-weight:normal"><u><span
style="mso-bidi-font-size:10.0pt;font-family:"Times
New Roman""></span></u></b><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""></span></p>
<p class="MsoNormal"
style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;
margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:
.01gd;mso-para-margin-left:0in"><span
style="mso-bidi-font-size:10.0pt;
font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""><a
href="https://cross-currents.berkeley.edu/e-journal/issue-29/mvkim"><span
style="color:blue">Far from Distant Shores: Identity Limbo
in the Korean
Diaspora</span></a><br>
Michael Vince Kim, photojournalist</span></p>
<p class="MsoNormal"
style="margin-top:.1pt;margin-right:0in;margin-bottom:.1pt;
margin-left:0in;mso-para-margin-top:.01gd;mso-para-margin-right:0in;mso-para-margin-bottom:
.01gd;mso-para-margin-left:0in"><span
style="mso-bidi-font-size:10.0pt;
font-family:"Times New
Roman";mso-bidi-font-family:"Times New Roman""><br>
</span></p>
<p class="MsoNormal"><span
style="mso-bidi-font-size:10.0pt;font-family:"Times New
Roman""><a
href="https://cross-currents.berkeley.edu/e-journal/issue-29/dunbar"><span
style="color:blue">Resurrection City: The Scale of Seoul's
Urban Renewal
Process</span></a><br>
Jon Dunbar, <i style="mso-bidi-font-style:normal">The Korea
Times<br>
</i>Accompanying essay: <a
href="https://cross-currents.berkeley.edu/e-journal/issue-29/resurrectioncity/mcho"><span
style="color:blue">Jon Dunbar's Leftover Seoul</span></a><br>
Mihye Cho (Singapore University of Technology and Design)</span><span
style="font-family:"Times New Roman""></span></p>
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<pre class="moz-signature" cols="72">Keila Diehl, Ph.D.
Managing Editor
<i>Cross-Currents: East Asian History and Culture Review</i>
Institute of East Asian Studies, UC Berkeley
1995 University Avenue #510H
Berkeley, CA 94704-2318
tel. 510-643-3378
<a href="http://cross-currents.berkeley.edu">http://cross-currents.berkeley.edu</a>
<a href="https://www.facebook.com/crosscurrentsjournal">https://www.facebook.com/crosscurrentsjournal</a></pre>
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