<div dir="ltr">Dear All, the deadline has been extended until next Thursday June 6th.<div>Our featured performers are Tiger JK, Yoon Mirae, and Bizzy. Tiger JK will also present during the conference.</div><div><br></div><div>_________________________</div><div><span id="gmail-docs-internal-guid-672745d7-7fff-0365-cd13-aeab0cb59f12"><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">+++Call for Participation+++</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;text-align:center"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Korean Hip-hop and New Explorations of Afro-Asian Identity</span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;text-align:center"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">*Music Festival and Conference*</span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;text-align:center"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">University of California, Irvine</span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt;text-align:center"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">October 7, 2019</span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> </span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Since Seo Taiji, rap has been a consistent force in Korean popular music. Some of the best Korean idol groups in recent years, such as Big Bang, BTS, and Mamamoo, all featured at least two rappers—making rap verses a discernible part of K-pop. The hit rap program, </span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Show Me the Money</span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> has had ratings that have fared better even than idol audition programs. Korean hip-hop artists such as Keith Ape, Zico, and Jay Park enjoy global fame that reaches many youth and alternative club cultures around the world. However, while various academic events, conferences, panels, and even anthologies have discussed K-pop, </span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">hallyu</span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">, and the history of Korean popular music, the study of rap in the context of </span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">hallyu</span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> have been extremely rare. Academic articles that explore the sonic and linguistic aspects of Korean rap are also uncommon. Those that exist neither link Korean rap to the larger context of global hip-hop or the history of African American oral tradition. Likewise, while many scholars have taken a serious look at the relationship between post-colonial studies and Korean popular culture, hip-hop is rooted in African American culture. The study of race, especially on regions and populations that are less economically successful, has barely been carried out; just as K-pop has focused on success in the West, Korean Studies scholars are focused on white affluent Western interest in and linkages with Korean music. </span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Although outside Korean Studies there is a long history of scholarship on appropriation of black musical forms such as hip-hop, these primarily focus on what happens when a dominant group with a history of oppressing black populations takes on their musical forms. The Korean case is different. While many scholars have taken a serious look at the relationship between post-colonial studies and Korean popular culture, hip-hop is rooted in African American culture. Studies on race, especially on regions and populations that are less economically successful, have barely been carried out. Just like the anthropological and sociological studies of the past, </span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">hallyu</span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> studies turn away from the racially conflicted history of exchange between African-American and Korean populations--the treatment of the half-Korean children of black GIs, the Los Angeles race riots, and even contemporary battles surrounding support for #blackARMY (black fans of BTS).</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Therefore, this conference and musical event will foreground issues of both Korean-ness and blackness in Korean hip-hop, addressing race in hip-hop in new ways and tackling formal analysis of the genre and its evolution in the Korean context. In so doing, we will examine cultural, performative, and linguistic aspects of Korean hip-hop. Through this conference we will explore the meaning of race and national ethnic identity of Korean popular culture of the 21st Century. It will consider the questions that engage global aesthetics, the role of ethnic and race studies in Korean studies, and challenges Korean linguistic and poetic sensibility faces in the globalizing era. </span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">This conference will foreground the question of how both emergent and hegemonic cultural aesthetic can be brought to bear on the minority identity in Korean pop. This amplification of the mix of Korean-ness and blackness in Korean hip-hop hopefully will lead to an analysis of hip hop that could move away from essentialized study of the music genre, and into formal analysis of the genre. Stimulating academic talks, open to the public, will be accompanied by the first ever Afro-Korean Hip Hop Festival with events on the sidelines of the conference and a concert (talk concert?) in the evening featuring Korean and Korean-American hip-hop artists. A list of participating artists is forthcoming. </span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;text-decoration-line:underline;vertical-align:baseline;white-space:pre-wrap">Confirmed Keynote Speaker:</span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Adam Bradley, Director of the Laboratory for Race and Popular Culture (RAP Lab), author of </span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Book of Rhymes </span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">and </span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-style:italic;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">The Anthology of Rap,</span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> University of Colorado Boulder Professor of English</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;text-decoration-line:underline;vertical-align:baseline;white-space:pre-wrap">Conference Organizers:</span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Kyung Hyun Kim , UC Irvine professor of East Asian Studies  </span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">CedarBough T Saeji, University of British Columbia postdoctoral fellow</span></p><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;text-decoration-line:underline;vertical-align:baseline;white-space:pre-wrap">Submission:</span></p><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Please submit your </span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;text-decoration-line:underline;vertical-align:baseline;white-space:pre-wrap">250 word abstract</span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> by </span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;text-decoration-line:underline;vertical-align:baseline;white-space:pre-wrap">May 30</span><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap"> to <a href="mailto:c.saeji@gmail.com">c.saeji@gmail.com</a> (MS Word or RTF) with a brief self-introduction. Limited funds will be available to defray participants’ travel expenses. We are particularly interested in papers that address or include:</span></p><ul style="margin-top:0pt;margin-bottom:0pt"><li dir="ltr" style="list-style-type:disc;font-size:12pt;font-family:"Noto Sans Symbols",sans-serif;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre"><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Linguistic analysis of Korean rap</span></p></li><li dir="ltr" style="list-style-type:disc;font-size:12pt;font-family:"Noto Sans Symbols",sans-serif;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre"><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">The process of Korean acculturation of resistance and ethnic-identity coded American hip-hop discourse</span></p></li><li dir="ltr" style="list-style-type:disc;font-size:12pt;font-family:"Noto Sans Symbols",sans-serif;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre"><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Relationship between hip hop and Korean tradition </span></p></li><li dir="ltr" style="list-style-type:disc;font-size:12pt;font-family:"Noto Sans Symbols",sans-serif;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre"><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Race relations between African-American and Korean populations </span></p></li><li dir="ltr" style="list-style-type:disc;font-size:12pt;font-family:"Noto Sans Symbols",sans-serif;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre"><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Troping of gender in hip hop movement and lyrics </span></p></li><li dir="ltr" style="list-style-type:disc;font-size:12pt;font-family:"Noto Sans Symbols",sans-serif;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre"><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Racial coding in Korean hip-hop</span></p></li><li dir="ltr" style="list-style-type:disc;font-size:12pt;font-family:"Noto Sans Symbols",sans-serif;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre"><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Historic influence of African-American music on Korean music</span></p></li><li dir="ltr" style="list-style-type:disc;font-size:12pt;font-family:"Noto Sans Symbols",sans-serif;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre"><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">The intersection of race and fandom</span></p></li><li dir="ltr" style="list-style-type:disc;font-size:12pt;font-family:"Noto Sans Symbols",sans-serif;color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre"><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">Transformation of rap as it leaves the West and English behind</span></p></li></ul><br><p dir="ltr" style="line-height:1.2;margin-top:0pt;margin-bottom:0pt"><span style="font-size:12pt;font-family:"Times New Roman";color:rgb(0,0,0);background-color:transparent;font-variant-numeric:normal;font-variant-east-asian:normal;vertical-align:baseline;white-space:pre-wrap">This conference will be hosted by the Center for Critical Korean Studies at University of California, Irvine and has been sponsored in part by the Academy for Korean Studies.</span></p></span><br class="gmail-Apple-interchange-newline"><div><br></div>-- <br><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div dir="ltr"><div><div style="color:rgb(34,34,34);background-color:rgb(255,255,255)"><p style="font-size:13px;margin:0in 0in 0.0001pt;background-image:initial;background-repeat:initial"><span style="font-size:11pt;font-family:Calibri,sans-serif">CedarBough T. Saeji</span><span style="font-size:11pt;font-family:Calibri,sans-serif">  ∞ </span><span style="font-size:11pt;font-family:Calibri,sans-serif"><a href="https://ubc.academia.edu/CedarBoughSaeji" style="color:rgb(17,85,204)" target="_blank">Profile on Academia.edu</a></span></p><p style="font-size:13px;margin:0in 0in 0.0001pt;background-image:initial;background-repeat:initial"><span style="font-size:11pt;font-family:Calibri,sans-serif">Korea Foundation Postdoctoral Fellow, University of British Columbia Department of Asian Studies</span></p><p style="font-size:13px;margin:0in 0in 0.0001pt;background-image:initial;background-repeat:initial"><span style="font-size:11pt;font-family:Calibri,sans-serif"></span></p><p style="font-size:13px;margin:0in 0in 0.0001pt;background-image:initial;background-repeat:initial"><span style="font-size:11pt;font-family:Calibri,sans-serif"> </span></p><p style="font-size:13px;margin:0in 0in 0.0001pt;background-image:initial;background-repeat:initial"><span style="font-size:11pt;font-family:Calibri,sans-serif">"Preserving intangible culture as static performances in the hope of sustaining cultural diversity may do very little to foster the processes of change and regeneration that are needed to ensure cultural vitality and heterogeneity" (Pietrobruno 2009: 240).</span></p><p style="font-size:13px;margin:0in 0in 0.0001pt;background-image:initial;background-repeat:initial"><span style="font-size:11pt;font-family:Calibri,sans-serif"> </span></p><p style="font-size:small;margin:0in 0in 0.0001pt;background-image:initial;background-repeat:initial"><span style="font-size:14.6667px;font-family:Calibri,sans-serif">Apt. 116  / </span><span style="font-size:14.6667px;font-family:Calibri,sans-serif">3655 Wesbrook Mall / </span><span style="font-size:14.6667px;font-family:Calibri,sans-serif">Vancouver BC / </span><span style="font-size:14.6667px;font-family:Calibri,sans-serif">V6S 0G6 / </span><span style="font-size:14.6667px;font-family:Calibri,sans-serif">CANADA</span><br></p></div></div><div></div></div></div></div></div></div></div></div></div></div>