<div dir="ltr"><div><p class="MsoNormal" align="left" style="margin:0cm 0cm 8pt;line-height:107%;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US">Book
Announcement – Azalea: Journal of Korean Literature and Culture, Volume 13 </span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 8pt;line-height:107%;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US">Dear
Colleagues:</span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 8pt;line-height:107%;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US">I am
pleased to announce that Azalea: Journal of Korean Literature and Culture,
Volume 13, is now available in print and in eBook (PDF) format. </span><span lang="EN-US" style="font-family:Arial,sans-serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial"> </span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 8pt;line-height:107%;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US" style="font-family:Arial,sans-serif;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">(The
eBook is now live on MUSE: </span><span lang="EN-US"><a href="https://muse.jhu.edu/issue/42310" style="color:blue" target="_blank"><span style="font-family:Arial,sans-serif;color:rgb(17,85,204);background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">https://muse.jhu.edu/issue/42310</span></a>
)</span></p>
<p style="margin:0cm 0cm 0.0001pt;font-size:12pt;font-family:"Minion Pro",serif"><span style="color:rgb(34,30,31)"><span lang="EN-US" style="font-size:10pt">ISSN: 1939-6120</span></span><span lang="EN-US" style="font-size:10pt;color:rgb(34,30,31)"></span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 8pt;line-height:107%;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span style="font-family:"Minion Pro",serif;color:rgb(34,30,31)"><span lang="EN-US" style="font-family:"\00b9d1\00c740 \00ace0\00b515"">ISBN: 978-0-9993138-1-7</span></span><span lang="EN-US"></span></p>
<p class="MsoNormal" align="left" style="margin:11.25pt 0cm;line-height:normal;word-break:keep-all;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US" style="font-size:22.5pt;font-family:Georgia,serif">Azalea:
Journal of Korean Literature & Culture Volume 13 (2020)</span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 18pt;line-height:normal;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;word-break:keep-all;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(30,30,30)"><img border="0" width="441" height="589" alt="Azalea 13 Book Cover"></span><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(30,30,30)"></span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 0.0001pt;line-height:normal;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;word-break:keep-all;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><b><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(30,30,30)">Azalea: Journal of Korean Literature and
Culture: Volume Thirteen</span></b><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(30,30,30)"><br>
Edited by Young-Jun Lee, Professor, Kyung Hee University, South Korea<br>
<br>
</span><i><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(10,10,10);background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">Azalea: Journal of Korean Literature & Culture</span></i><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(10,10,10);background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial"> promotes Korean
literature among English-language readers. Each issue may include works of
contemporary Korean writers and poets, as well as essays and book reviews by
Korean studies professors in the United States. <i>Azalea</i> introduces
to the world new writers as well as promising translators, providing the
academic community of Korean studies with well-translated texts for college
courses. Writers from around the world also share their experience of Korean
literature or culture with wider audiences.</span><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(30,30,30)"><br>
<br>
<u><span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">Editor's Note</span></u><br>
South Korea is a republic of poetry. A phenomenon absent in other countries can
be found in the South Korean poetry publishing world. In recent decades, the
scale of poetry sales seems to be staggering, but in the 1980s and 1990s, there
were several poetry books selling at least a million volumes, including some
selling in the multi-millions. The number of new poetry books has been steady
for decades, averaging around 500 each year. In almost every bookstore, there
is a dedicated poetry section, and in large bookstores, there are sections
where poetry bestsellers are exclusively collected and displayed.</span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 18pt;line-height:normal;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;word-break:keep-all;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(30,30,30)">Several large publishers continue to
publish poetry series that have lasted for decades, and it is an honor to be
included in these series. A poet who has their work included in such a series
can earn an annual royalty based on book sales. In most countries, receiving
royalty payments for publishing poetry is unrealistic, except for Nobel
Prize–winning poets. Perhaps South Korea is the only country where it is not
strange for poets to get paid to publish their work in literary magazines and
receive a royalty for their books. Of course, it does not mean that there are
millionaire poets. However, some poets in South Korea are paid considerably for
their poetry; it is not rare that bookshops will hold book-signings for poets,
whose books sometimes sell more than a hundred thousand volumes.</span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 18pt;line-height:normal;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;word-break:keep-all;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(30,30,30)">The most popular poets become
celebrities and even appear on TV talk shows. In this cultural environment, it
is only natural that there are many people who aspire to become poets, and
compete for inclusion in prestigious series of poetry. Critics have at times
decried the phenomenon that some were related to such major publishers as
literary powers. This phenomenon goes to show how the Republic of Korea is
indeed a republic of poetry.</span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 0.0001pt;line-height:normal;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;word-break:keep-all;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(30,30,30)">The special feature of this issue
of <i>Azalea</i> carries a feast of research: eight essays on modern
Korean poetry, thanks to the endeavors of the two guest editors, Jae Won Chung
and Benoit Berthelier. From the beginning period of the 1920s, described by Ku
In-mo and David Krolikoski, to the genealogy of modernism, written by Jae Won
Edward Chung, to North Korean poetry, covered by Benoit Berthelier and Sonja
Haeussler, to twenty-first-century South Korean poetry, examined by Cho
Kang-sŏk and Ivanna Sang Een Yi, this feature evinces that the field of modern
Korean poetry has gotten in firm stakes.</span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 18pt;line-height:normal;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;word-break:keep-all;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(30,30,30)">In the poetry section, alongside the
somewhat male-dominant history of modern Korean poetry sketched by the
aforementioned research, we have three women poets: Choi Jeongrye, Kim So Yeon,
and Kim Yideum. Their poems, deeply immersed in their interiorities, stand out
in the current field of Korean poetry.</span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 18pt;line-height:normal;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;word-break:keep-all;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(30,30,30)">The Writer in Focus introduces Kim Hoon,
currently one of the most popular writers in South Korea. Kim Hoon's literary
world, which is often said to have opened a unique style of vernacular Korean
writing, especially in historical novels, shows how much poetry has combined
with prose. The metaphoric images in his writing often reach poetry, about
which Korean readers have been enthusiastic.</span></p>
<p class="MsoNormal" align="left" style="margin:0cm 0cm 4.8pt;line-height:normal;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial;word-break:keep-all;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US" style="font-size:10.5pt;font-family:Arial,sans-serif;color:rgb(30,30,30)">Bookstores in Korea are said to have
recently seen increased sales of books because people are remaining at home,
much like those in the era of the Decameron. After 9/11 in America, poetry was
suddenly summoned to public interest, and poetry reading events became quite
popular for a while. We send this issue to readers with the hope that they
might have more time for reading poems than before.<br>
<br>
<br>
Published by the Korea Institute, Harvard University</span></p>
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<p class="MsoNormal" align="left" style="margin:0cm 0cm 8pt;line-height:107%;font-size:10pt;font-family:"\00b9d1\00c740 \00ace0\00b515""><span lang="EN-US"><img border="0" width="513" height="732"></span></p><div><br></div>-- <br><div dir="ltr" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><br>이영준<br>경희대학교 서울캠퍼스 후마니타스 칼리지 학장<br>서울 동대문구 경희대로 26<br>경희대학교 청운관 208호<br>우편번호 02447<br>전화 02-961-9311 (연구소)<br>셀폰 010-6211-7012<br><a href="mailto:youngjun.lee@gmail.com" target="_blank">youngjun.lee@gmail.com</a><br><a href="mailto:youngjunlee@khu.ac.kr" target="_blank">youngjunlee@khu.ac.kr</a><br><br>Editor-in-Chief,<br>Azalea: Journal of Korean Literature and Culture<br>Korea Institute, Harvard University<br>1730 Cambridge St #228<br>Cambridge, MA 02138, USA</div></div></div></div></div></div></div></div></div>