<div dir="ltr"><div>Dear colleagues,</div><div>I would like to circulate this call for papers for the next issue of <i>Extrême-Orient, Extrême-Occident. </i>Note that the editors would <u>particularly</u> welcome contributions addressing the issue of caricature in Korea.</div><div>Sincerely,</div><div><br></div><div>Pierre-Emmanuel Roux</div><div><br></div><div><br></div><div>***<br></div><div>
<p class="MsoNormal" style="text-align:center;line-height:10pt;margin:0cm 0cm 0.0001pt" align="center"><span style="font-family:arial,sans-serif"><font size="2"><span lang="FR">Call for Papers<span></span></span></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="text-align:center;line-height:10pt;margin:0cm 0cm 0.0001pt" align="center"><span style="font-family:arial,sans-serif"><font size="2"><span lang="FR"><span> </span></span></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="text-align:center;line-height:10pt;margin:0cm 0cm 0.0001pt" align="center"><span style="font-family:arial,sans-serif"><font size="2"><i><span lang="FR">Extrême-Orient,
Extrême-Occident</span></i><span></span></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="line-height:15.05pt;margin:0cm 0cm 0.0001pt"><span style="font-family:arial,sans-serif"><font size="2"> </font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="margin:0cm 2.7pt 0.0001pt 0cm;text-align:center" align="center"><span style="font-family:arial,sans-serif"><font size="2"><b><span lang="EN-US">Caricature in East Asia: <span></span></span></b></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="margin:0cm 2.7pt 0.0001pt 0cm;text-align:center" align="center"><span style="font-family:arial,sans-serif"><font size="2"><b><span lang="EN-US">Circulations and Crossed Perspectives<span></span></span></b></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="line-height:10pt;margin:0cm 0cm 0.0001pt"><span style="font-family:arial,sans-serif"><font size="2"> </font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="line-height:10pt;margin:0cm 0cm 0.0001pt"><span style="font-family:arial,sans-serif"><font size="2"> </font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="text-align:justify;line-height:107%;margin:0cm 0cm 0.0001pt"><span style="font-family:arial,sans-serif"><font size="2"><span style="line-height:107%" lang="EN-US"><span> </span></span></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="text-align:justify;line-height:107%;margin:0cm 0cm 0.0001pt"><span style="font-family:arial,sans-serif"><font size="2"><span style="line-height:107%" lang="EN-US">Caricature can be defined as a graphic work which,
through exaggeration, incongruity or reversal, transgresses the usual
figurative and aesthetic codes of a given cultural area. The situation of a
character, the presence of certain attributes, or even graphic distortion, can
contribute to this form of subversion. <span></span></span></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="text-align:justify;text-indent:36pt;line-height:107%;margin:0cm 0cm 0.0001pt"><span style="font-family:arial,sans-serif"><font size="2"><span style="line-height:107%" lang="EN-US">The study of graphic satire, and more specifically of
caricature in all its forms, has grown considerably over the last twenty years.
France has been particularly involved in this field due in particular to the
recent attacks on press cartoonists. However, caricature is neither a recent
creation nor a feature unique to the West. As the book <i>Asian Punches: A Transcultural Affair</i> (Hans Harder & Barbara
Mittler (eds.), Springer, 2013) shows, newspaper cartoons spread around the world
from the 19th century onwards, and from then on they became part of a global
worldview, foreshadowing the current globalisation of visual satire via the
Internet. Moreover, works such as <i>Ukiyo-e
Caricatures directed by Noriko Brandl and Sepp Linhart</i> (Brill, 2013) or Christophe
Marquet’s<i> Ôtsu-e : Imagerie populaire du
Japon</i> by (Picquier, 2015) do not hesitate to describe Japanese prints with
satirical and humorous content, produced from the second half of the 19th
century, as "caricatures". The immediacy of these images, their effectiveness
and often polemical nature, which sometimes drew the wrath of power upon their
authors and made them prefer anonymity, do not pale in comparison with their
later counterparts.<span></span></span></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="text-align:justify;text-indent:36pt;line-height:107%;margin:0cm 0cm 0.0001pt"><span style="font-family:arial,sans-serif"><font size="2"><span style="line-height:107%" lang="EN-US">This issue of <i>Extrême-Orient,
Extrême-Occident</i> follows in the wake of such works and aims to shed light
on the existence and modalities of visual satire in East Asia, both past and
present, through the comic, parodic, ironic and critical dimensions of the
image. Our aim is to explore the borrowings, reappropriations, adaptations, and
circulations within an East / West transcultural space, but also through an
intra-Asian approach. The specificity of the media and the modes of diffusion
will also be considered, as well as the heterogeneity of the contexts and
different visual cultures of the countries in question in their historical in
depth.<span></span></span></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="text-align:justify;text-indent:36pt;line-height:107%;margin:0cm 0cm 0.0001pt"><span style="font-family:arial,sans-serif"><font size="2"><span style="line-height:107%" lang="EN-US">We are therefore expecting contributions covering
various periods and different countries such as China and Taiwan, Japan, Korea
and Vietnam, which may come from disciplines as diverse as art history, media
theory, social, political and cultural history, psychoanalysis, and literature.<span></span></span></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="text-align:justify;text-indent:36pt;line-height:107%;margin:0cm 0cm 0.0001pt"><span style="font-family:arial,sans-serif"><font size="2"><span style="line-height:107%" lang="EN-US">Proposals for papers, in English or French, should be
addressed to the two chief editors, <a href="mailto:matthias.hayek@ephe.psl.eu" style="color:rgb(5,99,193);text-decoration:underline">matthias.hayek@ephe.psl.eu</a>
and <a href="mailto:pierre-emmanuel.roux@u-paris.fr" style="color:rgb(5,99,193);text-decoration:underline">pierre-emmanuel.roux@u-paris.fr</a>,
as well as to <a href="mailto:marie.laureillard@univ-lyon2.fr" style="color:rgb(5,99,193);text-decoration:underline">marie.laureillard@univ-lyon2.fr</a>
and <a href="mailto:laurent.baridon@univ-lyon2.fr" style="color:rgb(5,99,193);text-decoration:underline">laurent.baridon@univ-lyon2.fr</a>,
guest editors for this issue.<span></span></span></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="text-align:justify;text-indent:36pt;line-height:107%;margin:0cm 0cm 0.0001pt"><span style="font-family:arial,sans-serif"><font size="2"><span style="line-height:107%" lang="EN-US">If you are interested in contributing to this issue,
the editors kindly ask you to submit a tentative title and an abstract before <b><u>May 31, 2021</u></b>.<span></span></span></font></span></p><span style="font-family:arial,sans-serif"><font size="2">
</font></span><p class="MsoNormal" style="text-align:justify;text-indent:36pt;line-height:107%;margin:0cm 0cm 0.0001pt;font-size:10pt;font-family:Calibri"><span style="font-size:12pt;line-height:107%;font-family:"Times New Roman"" lang="EN-US"><span style="font-family:arial,sans-serif"><font size="2">Full manuscripts should be submitted no later than <b><u>September 30, 2021</u></b> and follow
the submission guidelines outlined here: <u><a href="https://journals.openedition.org/extremeorient/738">https://journals.openedition.org/extremeorient/738</a></u>.</font></span><span></span></span></p>
</div><div><br></div><br>-- <br><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><b>Pierre-Emmanuel Roux</b><br><br><font size="1">Maître de conférences / Associate professor 副教授<br>Université de Paris / University of Paris 巴黎大學 / 파리</font><span><font size="1"><span><font size="1">大</font></span>學校</font></span><br><font size="1"><span></span>UFR Langues et civilisations d'Asie orientale / Dept of East Asian Languages and Civilizations<br>Adresse postale / postal mail : UFR LCAO - case 7009, Université de Paris, 5 rue Thomas Mann, 75205 Paris Cedex 13 FRANCE</font></div></div></div>