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<p class="MsoNormal"><span style="color:black">I’d appreciate it if you could circulate the following CFP for an edited book on racial difference and reception of Korean popular culture. </span><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="paragraph" align="center" style="text-align:center;vertical-align:baseline">
<span class="normaltextrun"><b><span style="font-family:"Garamond",serif;color:black">Call for book chapters</span></b></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Title:</span></span><span class="apple-converted-space"><b><span style="font-family:"Garamond",serif;color:black"> </span></b></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Racial
difference & reception of Korean popular culture: Transnational empowerment and multiplying hegemonies </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">South Korean media have become one of the leading sites of global cultural production. The viral success of</span></span><span class="apple-converted-space"><span style="font-family:"Garamond",serif;color:black"> </span></span><span class="normaltextrun"><i><span style="font-family:"Garamond",serif;color:black">Squid
Game</span></i></span><span class="apple-converted-space"><i><span style="font-family:"Garamond",serif;color:black"> </span></i></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">(2021) and</span></span><span class="apple-converted-space"><span style="font-family:"Garamond",serif;color:black"> </span></span><span class="spellingerror"><span style="font-family:"Garamond",serif;color:black">Psy’s</span></span><span class="apple-converted-space"><span style="font-family:"Garamond",serif;color:black"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">“Gangnam
Style,” the critical success of</span></span><span class="apple-converted-space"><span style="font-family:"Garamond",serif;color:black"> </span></span><span class="normaltextrun"><i><span style="font-family:"Garamond",serif;color:black">Parasite</span></i></span><span class="apple-converted-space"><i><span style="font-family:"Garamond",serif;color:black"> </span></i></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">(2020),
and the influence of BTS’s fandom, ARMY, attest to the growing overseas reception of Korean popular culture. With its counter-flows into the West and its attendant movements in the Global South, audiences encounter and negotiate transnational, symbolic meanings
encoded in these texts. As Ang (1990) argues, meanings are produced at the site of reception. Thus, it is important to understand how meanings are created by international audiences, whose lived experience is racially and culturally different from the Korean
texts that they are consuming. Even for diasporic Asians outside of Asia, their everyday lives are situated within dominant cultural spaces that are racially different from their own, and it is from this local site of meaning-making that Korean texts will
be transnationally encountered. The purpose of this book, then, is to understand how the interaction of racial difference matters in the uses and reception of Korean popular culture either as the primary focus of analysis, as context, or with other intersectional
identities. </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Much of the existing research on the reception of Korean popular culture, or “Korean Wave, has been confined to the interpretive methodological framework. In some cases, the
research is celebratory in its explanation of the Korean Wave as “soft” power. Expanding on the extant literature, this book aims to provide a critical lens on how the reception of Korean popular culture simultaneously reifies and challenges the West as the
dominant referent as well as how fans and audiences make sense of Korean popular culture through their locally embedded and specific cultural standpoints.</span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">As an interdisciplinary project, we are interested in contributions from fields such as Cultural Studies, Communication Studies, Media Studies, Korean Studies, Asian Studies,
Cultural Anthropology, Sociology, Performance Studies, and Ethnic Studies. Though it is interdisciplinary, we limit the methods to critical humanistic approaches in order to maintain a focused epistemological vantage point. The kinds of contributions that
may be considered include, but are not limited to, ethnography, online ethnography, online textual analysis of fan and audience discourse, in-depth interviews, and focus groups. We encourage contributions that deal with complexity and ambivalence, recognizing
the messiness inherent in culture, much less in intercultural, interracial, and intersectional cultural encounters. Finally, all contributions must be original, unpublished work that is written in English. </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Areas of interest might include:<s> </s></span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Cosmopolitan,
global identities for fans of color that reject local hegemonies </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Conflation
of pop cultures and flattening of Asian ethnic difference</span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Challenges
to hegemonic masculinity as norm, as object of desire</span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Transnational
empowerment for Korean Americans and/or Asian Americans</span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Queer
and female gaze on the male celebrity body </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Slash
fiction and queer imaginations </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Hegemonic
reinforcement of gender norms and body image </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Western
superiority and ethnocentrism </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Intra-Asian
American boundary formation and hierarchy </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Intra-fan
boundary formation and hierarchy </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Masculinization
and legitimation of specific media forms (and marginalized feminization of other forms)</span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Inter-racial,
gendered, and heteronormative hierarchies in fan communities </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">“Cultural
imperialism” of Korean popular culture </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Production
of subversive affect </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Embodiment
and performance through fan dance or fan parody </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Fan
impersonation and the problematics of race and “appropriation” </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Questions
about methodologies that inform reception/audience studies of the Korean Wave</span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Pan-racial
fan communities </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
<p class="paragraph" style="mso-margin-top-alt:0in;margin-right:0in;margin-bottom:0in;margin-left:.75in;mso-add-space:auto;vertical-align:baseline;caret-color: rgb(0, 0, 0);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-size-adjust: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:Symbol;color:black">·</span><span style="font-size:7.0pt;font-family:"Times New Roman",serif;color:black"> <span class="apple-converted-space"> </span></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">Fan
translation and boundary policing </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
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<span style="font-family:"Garamond",serif;color:black">I</span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">f interested in contributing, please submit a 250-500 word extended abstract to David C. Oh (</span></span><span style="color:black"><a href="mailto:doh@ramapo.edu" title="mailto:doh@ramapo.edu"><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:#1155CC">doh@ramapo.edu</span></span></a></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">)
or Benjamin Han (</span></span><span style="color:black"><a href="mailto:bhan5@tulane.edu" title="mailto:bhan5@tulane.edu"><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:blue">bhan5@tulane.edu</span></span></a></span><span class="normaltextrun"><span style="font-family:"Garamond",serif;color:black">)
and a 100-word bio by February 1, 2022. Please include (1) your purpose, (2) justification, (3) proposed method, (4), and, if available, tentative findings. Final manuscripts should be 7,000-8,000 words, which includes all elements of the paper – title page,
body essay, references, and, if necessary, tables and figures. Final book chapters will be due August 1, 2022. </span></span><span class="eop"><span style="font-family:"Garamond",serif;color:black"> </span></span><span style="color:black"><o:p></o:p></span></p>
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<span style="color:black"> <o:p></o:p></span></p>
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<span style="color:black"> <o:p></o:p></span></p>
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<span style="color:black">Benjamin Han, Ph.D.<o:p></o:p></span></p>
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<span style="color:black">Assistant Professor<o:p></o:p></span></p>
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<span style="color:black">Department of Communication<o:p></o:p></span></p>
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<span style="color:black">Tulane University <o:p></o:p></span></p>
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<span style="color:black">219G Newcomb Hall<o:p></o:p></span></p>
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<span style="color:black">1229 Broadway <o:p></o:p></span></p>
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<span style="color:black">New Orleans, LA 70118<o:p></o:p></span></p>
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<span style="color:black">(504) 862-3025<o:p></o:p></span></p>
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<span style="color:black"><a href="mailto:bhan5@tulane.edu" title="mailto:bhan5@tulane.edu"><span style="color:#0563C1">bhan5@tulane.edu</span></a><o:p></o:p></span></p>
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<i><span style="color:black">Beyond the Black and White TV: Asian and Latin American Spectacle in Cold War America</span></i><span style="color:black">(Rutgers University Press, 2020)<o:p></o:p></span></p>
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<span style="color:black"><a href="https://www.rutgersuniversitypress.org/beyond-the-black-and-white-tv/9781978803831" title="https://www.rutgersuniversitypress.org/beyond-the-black-and-white-tv/9781978803831"><span style="color:#0563C1">https://www.rutgersuniversitypress.org/beyond-the-black-and-white-tv/9781978803831</span></a><o:p></o:p></span></p>
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