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<p class="MsoNormal"><span style="font-size:12.0pt">All Best wishes! Looks like an intriguing topic and subject. One that—who knows?—may lead back to some examples of the performance dimensions of historic Korean sijo texts.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt">Maybe 2026?<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt">Best wishes,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt">David McCann<o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal" style="margin-bottom:12.0pt"><b><span style="font-size:12.0pt;color:black">From:
</span></b><span style="font-size:12.0pt;color:black">Koreanstudies <koreanstudies-bounces@koreanstudies.com> on behalf of Barbara Wall <nabibabi@gmail.com><br>
<b>Date: </b>Tuesday, September 3, 2024 at 6:20 PM<br>
<b>To: </b>Korean Studies Discussion List <koreanstudies@koreanstudies.com><br>
<b>Subject: </b>[KS] Call for Papers – Sonic Histories of East Asia.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-family:"Arial",sans-serif">Dear Friends and Colleagues,</span><o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal"><span style="font-family:"Arial",sans-serif">I'm happy to share the CFP for a fascinating workshop at Ca Foscari, University of Venice, May 15-17, 2025.</span><o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">Over the past decade, sonic approaches to East Asia have attracted scholars from across fields of history, literature, cultural studies,
ethnomusicology, and environmental humanities. This sonic turn, drawing on the ecumenical canon of Sound Studies, has added voice, tone, timbre, and even silence to existing narratives and frameworks of nation, empire, society, technology, revolution, race,
and gender. At its best, work has gone further to not only foreground sound and hearing as a key aspect of experience and history, but to challenge or refine existing understandings, frameworks, and narratives. Importantly, this turn has also provided a set
of shared topics and terms by which scholars of different regions and periods can meet, share, work, and explore common themes.</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">It is in this spirit that a two-day workshop will be held at Ca’ Foscari University of Venice, from May 15-17, 2025. The workshop will
focus on two potential directions for the field:</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">First, on the possibility for sonic approaches to contribute to or challenge existing paradigms, temporalities, or national boundaries
of East Asian history. </span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">Second, we are particularly interested in work that explores and deploys endogenous understandings and language to engage with the sonic
world and that can contribute to a field of Sound Studies that remainsdominated by theories drawn from Western experience.</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">We invite scholars from across the disciplinary spectrum to submit paper proposals that engage with the sonic and touch on any of the
following themes:</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Subjectivity and agency</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Social movements</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Practices and phenomenology of listening</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Gender</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Class and race</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Communication, Media, Sonic Infrastructure</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Technology</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Propaganda</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Popular culture</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Literature</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Language</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">- Historiography, theory, and sound</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">Funding provided by the European Commission through the Marie Sk³odowska-Curie Actions will provide accommodation for three nights in
Venice. Additional funding will be made available on a competitive basis for up to two PhD or Postdoctoral researchers for travel to and from Venice.</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">Submission Guidelines</span><span style="color:#0E2841"><o:p></o:p></span></p>
<p class="MsoNormal" style="margin-bottom:8.0pt;line-height:106%"><span style="font-family:"Arial",sans-serif;color:#0E2841">Those interested in participating should send an abstract of up to 300 words to the organizers, Dayton Lekner and Laura De Giorgi, to
</span><span style="color:#0E2841"><a href="mailto:eastasiansound@gmail.com"><span style="font-family:"Arial",sans-serif">eastasiansound@gmail.com</span></a></span><span style="font-family:"Arial",sans-serif;color:#0E2841"> by November 1, 2024.</span><span style="color:#0E2841"><o:p></o:p></span></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">All the best,<o:p></o:p></p>
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<p class="MsoNormal">Barbara<o:p></o:p></p>
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<o:p></o:p></p>
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<p class="MsoNormal"><b><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:black">Barbara Wall </span></b><span style="font-size:9.5pt;color:black"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#757B80">Associate Professor Korean Studies</span><span style="font-size:9.5pt;color:black"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#757B80">University of Copenhagen</span><span style="font-size:9.5pt;color:black"><o:p></o:p></span></p>
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<p style="margin:0in"><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#757B80">Mail:</span><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#595959"> </span><span style="font-size:10.0pt;color:#595959"><a href="mailto:barbara.wall@hum.ku.dk" target="_blank" title="mailto:barbara.wall@hum.ku.dk Ctrl+Click or tap to follow the link"><span style="font-family:"Arial",sans-serif;color:#006FC9">barbara.wall@hum.ku.dk</span></a></span><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#006FC9"> </span><span style="font-size:9.5pt;color:black"><o:p></o:p></span></p>
<p style="margin:0in"><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#757B80">Zoom:</span><span style="font-size:9.5pt;color:black"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__ucph-2Dku.zoom.us_j_69366189383&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=ajrk6Uw03wH4RlMujp9kUDDjym5seax6Q9Vt0TDncgc&m=6gcI8P2g24CXhNlnNRF0aJeuBvMAeJhAcBCVT0q5PZ0Pti3CVPxY6qegE6dMPZpp&s=aQegZLCsvt2crBeMhv329RtDwzC_op_VRX6ryn_kcl4&e=" target="_blank"><span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:#1155CC">https://ucph-ku.zoom.us/j/69366189383</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#757B80">Website:</span><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:black"> </span><span style="font-size:9.5pt;color:black"><a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__ccrs.ku.dk_staff_-3Fpure-3Den_persons_583023&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=ajrk6Uw03wH4RlMujp9kUDDjym5seax6Q9Vt0TDncgc&m=6gcI8P2g24CXhNlnNRF0aJeuBvMAeJhAcBCVT0q5PZ0Pti3CVPxY6qegE6dMPZpp&s=ftd8Nu8xoUH77-t1gSBjXLVf1NJpD10F2CO50rfmDog&e=" target="_blank"><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#006FC9">https://ccrs.ku.dk/staff/?pure=en/persons/583023</span></a><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:9.5pt;color:black"><o:p> </o:p></span></p>
<p style="margin:0in"><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#757B80">Author of <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__brill.com_display_title_69626-3Flanguage-3Den&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=ajrk6Uw03wH4RlMujp9kUDDjym5seax6Q9Vt0TDncgc&m=6gcI8P2g24CXhNlnNRF0aJeuBvMAeJhAcBCVT0q5PZ0Pti3CVPxY6qegE6dMPZpp&s=hvkF5-pAc5dgQizGrhnv19MKH0KBIg2brMBkRNgNpOI&e=" target="_blank">The
Dynamic Essence of Transmedia Storytelling: A Graphical Approach to The Journey to the West in Korea (NOW OPEN ACCESS)
</a></span><span style="font-size:9.5pt;color:black"><o:p></o:p></span></p>
<p style="margin:0in"><span style="font-size:9.5pt;color:black"><o:p> </o:p></span></p>
<p style="margin:0in"><span style="font-size:10.0pt;font-family:"Arial",sans-serif;color:#757B80">PI, research project <a href="https://urldefense.proofpoint.com/v2/url?u=https-3A__ccrs.ku.dk_research_asia_tempting-2Dtunes_&d=DwMFaQ&c=WO-RGvefibhHBZq3fL85hQ&r=ajrk6Uw03wH4RlMujp9kUDDjym5seax6Q9Vt0TDncgc&m=6gcI8P2g24CXhNlnNRF0aJeuBvMAeJhAcBCVT0q5PZ0Pti3CVPxY6qegE6dMPZpp&s=HfOKbq7ZS_BoUX0XjD2rT5NU-iWzuln76qWAsAdd5pA&e=" target="_blank">TEMPTING
TUNES: Interfaces of Sound and Narrative in Korean Culture</a></span><span style="font-size:9.5pt;color:black"><o:p></o:p></span></p>
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