<div dir="ltr"><div><font face="times new roman, serif">Dear Korean Studies List,</font></div><div><font face="times new roman, serif"><br></font></div><div><font face="times new roman, serif">Please find below the Call for Papers for the "Is Netflix Riding the Korean Wave or Vice Versa? II" conference. If you have been working on a related topic, we warmly invite you to submit an abstract of your work.</font></div><div><font face="times new roman, serif"><br></font></div><div><font face="times new roman, serif">Thank you for your interest!</font></div><div><font face="times new roman, serif"><br></font></div><div><font face="times new roman, serif">Best regards,</font></div><div><font face="times new roman, serif"><br></font></div><div><font face="times new roman, serif">Sungjin Shin</font></div><div><font face="times new roman, serif"><br></font></div><div><font face="times new roman, serif">--</font></div><div><p align="center" style="box-sizing:inherit;margin:0px;padding:0px;text-align:center;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Is Netflix Riding the Korean Wave or Vice Versa? II:</span> </font></p><p align="center" style="box-sizing:inherit;margin:0px;padding:0px;text-align:center;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif">Shifting Local and Global Relationships</font></span></p><p align="center" style="box-sizing:inherit;margin:0px;padding:0px;text-align:center;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></span></p><p align="center" style="box-sizing:inherit;margin:0px;padding:0px;text-align:center;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif">July 18-19, 2025</font></span></p><p align="center" style="box-sizing:inherit;margin:0px;padding:0px;text-align:center;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif">Yonsei University, Seoul, South Korea</font></span></p><p align="center" style="box-sizing:inherit;margin:0px;padding:0px;text-align:center;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">In December 2024, Squid Game 2, which was produced in South Korea, one more time, </span><span style="box-sizing:inherit;color:rgb(0,0,0)">made a global sensation. Regardless of negative observations by some media critics and </span><span style="box-sizing:inherit;color:rgb(0,0,0)">media outlets, upon release, this brutal seven-part survival drama quickly took the top spot </span><span style="box-sizing:inherit;color:rgb(0,0,0)">in 93 countries. Squid Game 2 is the latest example of Korean cultural content, which </span><span style="box-sizing:inherit;color:rgb(0,0,0)">Netflix distributes globally. Netflix had already invested in several Korean cultural </span><span style="box-sizing:inherit;color:rgb(0,0,0)">products, including Bong Joon-ho’s film Okja (2017) and the historical epic Mr. Sunshine </span><span style="box-sizing:inherit;color:rgb(0,0,0)">(2018). In 2019, Netflix released its first original Korean zombie drama series, Kingdom, </span><span style="box-sizing:inherit;color:rgb(0,0,0)">followed by D.P. (2021) and The Glory (2023). Netflix has also circulated numerous K-</span><span style="box-sizing:inherit;color:rgb(0,0,0)">dramas and films. Other global OTTs are not left behind. Moving (2023), The Worst of Evil </span><span style="box-sizing:inherit;color:rgb(0,0,0)">(2023), and Light Shop (2024) in Disney+ show the increasing role of global OTTs in relation </span><span style="box-sizing:inherit;color:rgb(0,0,0)">to the Korean Wave. As Korea has talented content creators and cultural products, Netflix </span><span style="box-sizing:inherit;color:rgb(0,0,0)">and Disney+ are tactically riding the Korean Wave.</span></font></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Netflix and Disney+ have undoubtedly shifted the ways in which people consume </span><span style="box-sizing:inherit;color:rgb(0,0,0)">visual narratives, ranging from television dramas to full-length films tailored to global </span><span style="box-sizing:inherit;color:rgb(0,0,0)">audiences. In so doing, these global OTTs have influenced the Korean entertainment </span><span style="box-sizing:inherit;color:rgb(0,0,0)">industry. Due to heavy impacts driven by Netflix and Disney+</span><span style="box-sizing:inherit;color:rgb(0,0,0)">, Korean cultural creators re</span><span style="box-sizing:inherit;color:rgb(0,0,0)">orient their production norms to greet the new world these global forces design. This </span><span style="box-sizing:inherit;color:rgb(0,0,0)">rapidly shifting media environment creates tensions between global and local cultural </span><span style="box-sizing:inherit;color:rgb(0,0,0)">industries, which are concerned about the decreasing role of the local cultural industries as </span><span style="box-sizing:inherit;color:rgb(0,0,0)">well as the loss of cultural identity. However, Netflix’s strategic emphasis on producing </span><span style="box-sizing:inherit;color:rgb(0,0,0)">local original content has significantly contributed to creating culturally diverse, </span><span style="box-sizing:inherit;color:rgb(0,0,0)">multilingual international audiences.</span></font></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">The current development of the Korean Wave content on global OTTs, as can be seen </span><span style="box-sizing:inherit;color:rgb(0,0,0)">in Squid Game 1 and 2, Moving, The Glory, Physical: 100, Culinary Class Wars (2023), and </span><span style="box-sizing:inherit;color:rgb(0,0,0)">Light Shop (2024), asks scholars to advance new theoretical and practical approaches in </span><span style="box-sizing:inherit;color:rgb(0,0,0)">understanding the power relations between local and global cultural actors in the Korean </span><span style="box-sizing:inherit;color:rgb(0,0,0)">context, which is becoming part of the global cultural sphere. The impact of these global </span><span style="box-sizing:inherit;color:rgb(0,0,0)">OTTs is expected to change the face of the Korean Wave, one of the most powerful </span><span style="box-sizing:inherit;color:rgb(0,0,0)">examples of transnational cultural flows. It is crucial to create new perspectives that drive </span><span style="box-sizing:inherit;color:rgb(0,0,0)">the Korean Wave to the level of new grounds. In this conference, we plan to analyze new </span><span style="box-sizing:inherit;color:rgb(0,0,0)">horizons generated by global OTT platforms, including Netflix, in tandem with the Korean </span><span style="box-sizing:inherit;color:rgb(0,0,0)">Wave.</span></font></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">We welcome contributions that address the recent development, triggering a </span><span style="box-sizing:inherit;color:rgb(0,0,0)">fundamental shift in our understanding of Hallyu and OTTs. As a group, we plan to discuss </span><span style="box-sizing:inherit;color:rgb(0,0,0)">the possibility of advancing non-Western theories and/or new theoretical perspectives </span><span style="box-sizing:inherit;color:rgb(0,0,0)">amid the continuation of the Korean Wave on global OTT platforms. Throughout the </span><span style="box-sizing:inherit;color:rgb(0,0,0)">discussions, we hope to shed light on current debates and place them in perspectives </span><span style="box-sizing:inherit;color:rgb(0,0,0)">relevant to future transnational cultural studies.</span></font></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">This conference serves as a sequel to the international conference "Is Netflix Riding </span><span style="box-sizing:inherit;color:rgb(0,0,0)">the Korean Wave or Vice Versa?" that was held at Seoul National University in April 2022. </span><span style="box-sizing:inherit;color:rgb(0,0,0)">The event laid the foundation for further scholarly exploration. As a direct outcome of that </span><span style="box-sizing:inherit;color:rgb(0,0,0)">conference, the organizers collaborated on editing a special issue for the International </span><span style="box-sizing:inherit;color:rgb(0,0,0)">Journal of Communication, which was published in 2023. The revised and updated papers, </span><span style="box-sizing:inherit;color:rgb(0,0,0)">together with several new additions, were presented at the City University of Hong Kong in</span></font></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;font-stretch:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(0,0,0)"><font face="times new roman, serif">December 2024.</font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><b style="box-sizing:inherit"><font face="times new roman, serif">Topics of interest include, but are not limited to:</font></b></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;color:rgb(85,85,85);word-break:keep-all"></p><ul><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Cultural/critical analysis of Squid Game (including season 1, 2 and 3)</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span></font></li><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Transnational cultural flows from the Global South</span></font></li><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Netflix's effects on Korean Wave content</span></font></li><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Shifting cultural genres in the Netflix era</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span></font></li><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Netflix audience research: methods and perspectives</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span></font></li><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Comparative studies of Netflix’s original productions</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span></font></li><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Case studies of individual production companies and/or filmmakers</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span><span style="box-sizing:inherit;color:rgb(0,0,0)">before and after their cooperation with global OTTs</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span></font></li><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Historical perspectives on streaming technologies and services and </span><span style="box-sizing:inherit;color:rgb(0,0,0)">Korean media</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span></font></li><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Shifting power relationships between global and local OTTs</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span></font></li><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Shifting media ecology surrounding the Korean Wave and OTTs</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span></font></li><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Effects of Netflix on storytelling and aesthetics of Korean cinema and</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span><span style="box-sizing:inherit;color:rgb(0,0,0)">TV</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span></font></li><li><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">Critical Understanding of OTT platforms in the Korean cultural scene</span><span style="box-sizing:inherit;color:rgb(0,0,0)"> </span></font></li></ul><p></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><b style="box-sizing:inherit"><font face="times new roman, serif">Conference Details:</font></b></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><b style="box-sizing:inherit"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></b></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif">1. Conference Schedule: date and place</font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif">Yonsei University, Seoul, Korea. July 18-19, 2025</font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif">2. Deadline</font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">To apply, please send an abstract (300 words max.), a short biography </span><span style="box-sizing:inherit;color:rgb(0,0,0)">(150 words max.), and a 2-page CV to Dr. Jungju Shin (bk21eng-</span><span style="box-sizing:inherit;color:rgb(0,0,0)"><a href="mailto:intl@yonsei.ac.kr">intl@yonsei.ac.kr</a>). The deadline for applications is 28 February 2025. We </span><span style="box-sizing:inherit;color:rgb(0,0,0)">will notify the accepted abstracts at the end of March 2025.</span></font></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif">3. Outcomes</font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">There will be two potential projects based on the conference, as we did </span><span style="box-sizing:inherit;color:rgb(0,0,0)">with the first conference held in 2022. One will be a journal special issue. </span><span style="box-sizing:inherit;color:rgb(0,0,0)">The other will be an edited volume. Since we plan to develop these two </span><span style="box-sizing:inherit;color:rgb(0,0,0)">different academic publications in English, we only accept original </span><span style="box-sizing:inherit;color:rgb(0,0,0)">materials not published or scheduled elsewhere.</span></font></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif"><br style="box-sizing:inherit"></font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><span style="box-sizing:inherit;color:rgb(0,0,0)"><font face="times new roman, serif">4. Conference support</font></span></p><p style="box-sizing:inherit;margin:0px;padding:0px;font-stretch:normal;line-height:normal;font-size-adjust:none;font-kerning:auto;font-variant-alternates:normal;font-variant-numeric:normal;font-variant-east-asian:normal;font-feature-settings:normal;color:rgb(255,255,255);word-break:keep-all"><font face="times new roman, serif"><span style="box-sizing:inherit;color:rgb(0,0,0)">We may provide some benefits to the presenters, including registration </span><span style="box-sizing:inherit;color:rgb(0,0,0)">fees and meals. However, we do not support travel and </span><span style="box-sizing:inherit;color:rgb(0,0,0)">accommodation. Though, we may support, even partially, a few </span><span style="box-sizing:inherit;color:rgb(0,0,0)">graduate students. If you have any questions, please contact Miseong </span><span style="box-sizing:inherit;color:rgb(0,0,0)">Woo (<a href="mailto:mswoo@yonsei.ac.kr">mswoo@yonsei.ac.kr</a>) or Dal Yong Jin (<a href="mailto:yongjin23@gmail.com">yongjin23@gmail.com</a>).</span></font></p><font face="times new roman, serif"><br class="gmail-Apple-interchange-newline"></font></div><div><font face="times new roman, serif"><br></font></div><font face="times new roman, serif"><span class="gmail_signature_prefix">-- </span><br></font><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><font face="times new roman, serif">Sungjin Shin, Ph.D.</font><div><font face="times new roman, serif">Instructor and Postdoctoral Researcher</font></div><div><font face="times new roman, serif">Department of English Language and Literature</font></div><div><font face="times new roman, serif">Yonsei University, Seoul, South Korea</font></div></div></div></div>