<html xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:m="http://schemas.microsoft.com/office/2004/12/omml" xmlns="http://www.w3.org/TR/REC-html40">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=Windows-1252">
<meta name="Generator" content="Microsoft Word 15 (filtered medium)">
<style><!--
/* Font Definitions */
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
@font-face
{font-family:Verdana;
panose-1:2 11 6 4 3 5 4 4 2 4;}
@font-face
{font-family:Aptos;
panose-1:2 11 0 4 2 2 2 2 2 4;}
@font-face
{font-family:"Malgun Gothic";
panose-1:2 11 5 3 2 0 0 2 0 4;}
@font-face
{font-family:Avenir;
panose-1:2 0 5 3 2 0 0 2 0 3;}
@font-face
{font-family:Georgia;
panose-1:2 4 5 2 5 4 5 2 3 3;}
@font-face
{font-family:"Times New Roman \(Body CS\)";
panose-1:2 11 6 4 2 2 2 2 2 4;}
@font-face
{font-family:GulimChe;
panose-1:2 11 6 9 0 1 1 1 1 1;}
@font-face
{font-family:"\@Malgun Gothic";}
@font-face
{font-family:"\@GulimChe";}
@font-face
{font-family:"Helvetica Neue";
panose-1:2 0 5 3 0 0 0 2 0 4;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0in;
font-size:12.0pt;
font-family:"Aptos",sans-serif;
mso-ligatures:standardcontextual;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:#467886;
text-decoration:underline;}
span.EmailStyle17
{mso-style-type:personal-compose;
font-family:Avenir;
color:windowtext;}
p.default, li.default, div.default
{mso-style-name:default;
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
font-size:12.0pt;
font-family:"Aptos",sans-serif;}
span.apple-converted-space
{mso-style-name:apple-converted-space;}
span.hyperlink0
{mso-style-name:hyperlink0;}
span.none
{mso-style-name:none;}
p.bodya, li.bodya, div.bodya
{mso-style-name:bodya;
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
font-size:12.0pt;
font-family:"Aptos",sans-serif;}
.MsoChpDefault
{mso-style-type:export-only;}
@page WordSection1
{size:8.5in 11.0in;
margin:1.0in 1.0in 1.0in 1.0in;}
div.WordSection1
{page:WordSection1;}
/* List Definitions */
@list l0
{mso-list-id:158426571;
mso-list-template-ids:-1378056702;}
@list l0:level1
{mso-level-number-format:bullet;
mso-level-text:\F0B7 ;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l0:level2
{mso-level-number-format:bullet;
mso-level-text:\F0B7 ;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l0:level3
{mso-level-number-format:bullet;
mso-level-text:\F0B7 ;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l0:level4
{mso-level-number-format:bullet;
mso-level-text:\F0B7 ;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l0:level5
{mso-level-number-format:bullet;
mso-level-text:\F0B7 ;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l0:level6
{mso-level-number-format:bullet;
mso-level-text:\F0B7 ;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l0:level7
{mso-level-number-format:bullet;
mso-level-text:\F0B7 ;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l0:level8
{mso-level-number-format:bullet;
mso-level-text:\F0B7 ;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l0:level9
{mso-level-number-format:bullet;
mso-level-text:\F0B7 ;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
ol
{margin-bottom:0in;}
ul
{margin-bottom:0in;}
--></style>
</head>
<body lang="EN-US" link="#467886" vlink="#96607D" style="word-wrap:break-word">
<div class="WordSection1">
<p class="default" style="margin:0in"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">Call for Papers (special issue of
<i>Television and New Media</i>): <o:p></o:p></span></p>
<p class="default" style="margin:0in"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"><o:p> </o:p></span></p>
<p class="default" style="margin:0in"><b><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">Theorizing the global popularity of South Korean media within de-Westernizing frameworks</span></b><span class="apple-converted-space"><b><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> <o:p></o:p></span></b></span></p>
<p class="default" style="margin:0in"><b><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></b><span class="apple-converted-space"><b><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></b></span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">The flows of South Korean media and pop music (K-pop) across the globe (or</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></span><i><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">hallyu</span></i><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">)
are among the most visible signals of a more multipolar global media culture. Although there has been a proliferation of research in what is increasingly called Korean Wave Studies, heretofore, most theory-building has relied heavily on explanatory frameworks
developed outside Korea. The purpose of this special issue is to call on scholars to articulate new theoretical directions that center local contexts. We are not calling for an abandonment of a Western canon but, rather, theoretical contributions that are
not overly indebted to it. We encourage scholars to push theoretical boundaries in order to make generative contributions that not only move forward the study of Korean media and, perhaps, the study of other East Asian media but that produce multipolar centers
of knowledge production, which can contribute to a richer, global body of literature.</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">The counterflows of global Korean media have attracted growing academic interest in terms of emerging cultural diversity, resistance to minor cultures and the
ability to envision life outside of the unilateral construction of the West as the model of modernity and liberal democracy. Currently, however, most efforts to theorize the global flows of Korean media and popular culture have applied existing Western theories
without fully considering local contexts. There have been some calls to decolonize and de-Westernize the study of (East) Asian popular culture, but even</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></span><i><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">hallyu</span></i><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></span><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">studies
that explain the global popularity of Korean media through post-colonial theories such as hybridity, self-Orientalism, or post-colonial desire still draw upon existing theories popular in the Western academy rather than generate a new theoretical ferment.</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">Although this work has been productive, the context in which these theories developed differ from Koreas postcolonial condition. Unlike postcolonial states dominated
by the West, Koreas colonial subjugation was violently enforced by Japan, a regional neighbor, and was displaced by the U.S.s imperial ambitions in the Pacific Islands and East Asia. The post-coloniality of Korea and Korean culture differs from the societies
that postcolonial theorists examined. Moreover, the dynamics of globalizing Korean media and the current use of new media often fit uneasily. Korean media have heavily relied on new media strategies, and the nations cultural industries currently produce innovative
digital content and platforms (i.e. digital games, webtoon, digital K-pop platforms). In the process, Korean media industries frequently intervene in the global political economic system by mobilizing popular participation worldwide through new media which
raise new social and political issues such as affective labor and affective social movements. As global popularity of Korean media matures within the existing global hegemonic order, innovative efforts of Korean media are oftentimes created for but constrained
by its economic need to export its media contents within a techno global hegemonic system.</span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">These transformations require more theoretical work and should move toward more nuanced explanatory frameworks. We believe that it is necessary to develop new directions
in the study of global Korean media. The purpose of this special issue is to build new theory that richly draws upon the specific context of globalizing South Korean media. This call takes up a similar ethos to Korean media, which is created within its local
context but with a motivation to move beyond national or regional boundaries. Topics that scholars might address include, but are not limited to:</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<ul style="margin-top:0in;caret-color: rgb(33, 33, 33);font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px" type="disc">
<li class="default" style="color:black;margin-top:0in;margin-bottom:0in;mso-list:l0 level1 lfo1">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">New theoretical outlooks in the de-Westernization of</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white"> </span></span><i><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">Hallyu</span></i><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white"> </span></span><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">studies</span><span style="font-family:"Helvetica Neue""><o:p></o:p></span></li><li class="default" style="color:black;margin-top:0in;margin-bottom:0in;mso-list:l0 level1 lfo1">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">Theoretical implications of new media use among global</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white"> </span></span><i><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">Hallyu</span></i><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white"> </span></span><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">and
K-pop fans</span><span style="font-family:"Helvetica Neue""><o:p></o:p></span></li><li class="default" style="color:black;margin-top:0in;margin-bottom:0in;mso-list:l0 level1 lfo1">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">Indigenizing and localizing theories in the context of new trends of Korean media and counterflows to global hegemony</span><span style="font-family:"Helvetica Neue""><o:p></o:p></span></li><li class="default" style="color:black;margin-top:0in;margin-bottom:0in;mso-list:l0 level1 lfo1">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">Theorizing the simultaneity of the post and the neocolonial in Korean media and popular culture and localizing cultural theories</span><span style="font-family:"Helvetica Neue""><o:p></o:p></span></li><li class="default" style="color:black;margin-top:0in;margin-bottom:0in;mso-list:l0 level1 lfo1">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">Reimagination of de-Westernizing theories that take into account the creativity of Korean cultural platforms amidst dynamic changes in the global media sphere</span><span style="font-family:"Helvetica Neue""><o:p></o:p></span></li><li class="default" style="color:black;margin-top:0in;margin-bottom:0in;mso-list:l0 level1 lfo1">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">Counterflows of Korean media in the world hegemonic order and the theoretical implications of de-westernization</span><span style="font-family:"Helvetica Neue""><o:p></o:p></span></li><li class="default" style="color:black;margin-top:0in;margin-bottom:0in;mso-list:l0 level1 lfo1">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">Theoretical implications of transnational fandom in relation to their social networking and technological production of intimate fan-idol relations through new media platforms.</span><span style="font-family:"Helvetica Neue""><o:p></o:p></span></li><li class="default" style="color:black;margin-top:0in;margin-bottom:0in;mso-list:l0 level1 lfo1">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">Live experiences of global fans uses of new media and cultural strategies of popular democracy</span><span style="font-family:"Helvetica Neue""><o:p></o:p></span></li><li class="default" style="color:black;margin-top:0in;margin-bottom:0in;mso-list:l0 level1 lfo1">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">Theoretical issues of popular participation in innovative production and civic movements through global</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white"> </span></span><i><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">Hallyu</span></i><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white"> </span></span><span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">platforms</span><span style="font-family:"Helvetica Neue""><o:p></o:p></span></li><li class="default" style="color:black;margin-top:0in;margin-bottom:0in;mso-list:l0 level1 lfo1">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;background:white">New methodological directions in Korean wave studies from the de-westernizing perspective</span><span style="font-family:"Helvetica Neue""><o:p></o:p></span></li></ul>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<b><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">Papers due by December 30, 2025.</span></b><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">Submissions should be made through the journal website</span><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:#0432FF;background:white">,</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:#0432FF;background:white"> </span></span><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black"><a href="https://journals.sagepub.com/author-instructions/TVN" title="https://journals.sagepub.com/author-instructions/TVN"><span class="hyperlink0"><span style="color:#0432FF">https://journals.sagepub.com/author-instructions/TVN</span></span></a></span><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:#555555;background:white">.</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:#555555;background:white"> </span></span><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">Submissions
should write the name of the Special Issue in the Cover Letter. Individual articles should be no more than 7500 words inclusive. Please adhere to the journals submission guidelines,</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></span><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black"><a href="http://www.sagepub.com/upm-data/45650_Manuscript_Submission.pdf" title="http://www.sagepub.com/upm-data/45650_Manuscript_Submission.pdf"><span class="hyperlink0"><span style="color:#0432FF">http://www.sagepub.com/upm-data/45650_Manuscript_Submission.pdf</span></span></a></span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:#555555;background:white"> </span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">Should you have any queries, feel free to forward it to Dr. Sunny Yoon at</span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></span><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black"><a href="mailto:syoon@hanyang.ac.kr" title="mailto:syoon@hanyang.ac.kr"><span style="color:#0432FF;background:white">syoon@hanyang.ac.kr</span></a></span><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:#0070C0;background:white">. </span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:#0070C0;background:white"> </span></span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span class="none"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:#555555;background:white"> </span></span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span class="none"><b><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">Guest editors</span></b></span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span class="none"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">Dr. Sunny Yoon is a Professor of Media and Communication at Hanyang University in South Korea. She has published widely on cultural studies, visual
culture and ethnographic studies of media audiences. Her research also includes new technologies including digital games, social media, AI and digital media from the cultural studies perspective. She has authored numerous books including the monograph,</span></span><span class="apple-converted-space"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></span><span class="none"><i><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white">Social
media and cultural politics of Korean pop culture in East Asia</span></i></span><span class="none"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> (Routledge 2023).</span></span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="default" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span class="none"><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black;background:white"> </span></span><span style="font-family:"Helvetica Neue";color:black"><o:p></o:p></span></p>
<p class="bodya" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black">David Oh is an Associate Professor in the Department of Communications in the Newhouse School of Public Communications at Syracuse University. He has authored books about Asian Americans
and media and has edited books in critical Korean popular culture studies. In addition, he has published roughly 50 peer-reviewed essays in journals and edited collections, sits on eleven Editorial Boards in communication, cultural studies, fan studies, and
media studies. In 2018-19, he was a Fulbright Senior Scholar at Hankuk University of Foreign Studies.</span><span style="font-family:"Times New Roman",serif;color:black"><o:p></o:p></span></p>
<p class="bodya" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black"> </span><span style="font-family:"Times New Roman",serif;color:black"><o:p></o:p></span></p>
<p class="bodya" style="margin:0in;font-variant-caps: normal;orphans: auto;text-align:start;widows: auto;-webkit-text-stroke-width: 0px;word-spacing:0px">
<b><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black">Note</span></b><span style="font-size:10.0pt;font-family:"Times New Roman",serif;color:black">: No payment from authors is required.</span><span style="font-family:"Times New Roman",serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.5pt;font-family:Avenir"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.5pt;font-family:Avenir"><o:p> </o:p></span></p>
<div>
<div>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;mso-ligatures:none">-- <o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:11.0pt;font-family:"Verdana",sans-serif;color:#D74100;mso-ligatures:none">David C. Oh<o:p></o:p></span></b></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">Associate Professor | S.I. Newhouse School of Public Communications
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">315.443.4232 |
<a href="mailto:dcoh@syr.edu"><span style="color:#0563C1">dcoh@syr.edu</span></a><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:14.0pt;font-family:"Georgia",serif;color:#D74100;mso-ligatures:none">Syracuse University<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none"><o:p> </o:p></span></p>
<p class="MsoNormal"><i><span style="font-size:8.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">Korean Pop Culture Beyond Asia: Race & Reception
</span></i><span style="font-size:8.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">(U. of Washington Press) | Lead Editor<o:p></o:p></span></p>
<p class="MsoNormal"><i><span style="font-size:8.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">Navigating White News: Asian American Journalists at Work</span></i><span style="font-size:8.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">
(Rutgers U.P.) | Lead Author <o:p></o:p></span></p>
<p class="MsoNormal"><i><span style="font-size:8.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">Mediating the South Korean Other: Representations and Discourses of Difference in the Post/Neocolonial Nation State</span></i><span style="font-size:8.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">
(U of Michigan Press) | Editor <o:p></o:p></span></p>
<p class="MsoNormal"><i><span style="font-size:8.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture</span></i><span style="font-size:8.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">
(Rutgers U.P.)| Author <o:p></o:p></span></p>
</div>
</div>
<p class="MsoNormal"><i><span style="font-size:8.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">Second-Generation Korean Americans and Transnational Media: Diasporic Identifications</span></i><span style="font-size:8.0pt;font-family:"Verdana",sans-serif;mso-ligatures:none">
(Lexington Books) | Author </span><o:p></o:p></p>
</div>
</body>
</html>