[KS] The Fate of the Kwaks
Afostercarter at aol.com
Afostercarter at aol.com
Tue Feb 22 01:39:28 EST 2011
Dear friends and colleagues,
Michael Munk has written a fascinating article
on a Korean musician couple who became victims
of the Cold War. This was completely new to me.
Many thanks to Michael for bringing this to light.
Much to ponder here, none of it comfortable.
You can read this at NKNews, or below.
Aidan FC
Aidan Foster-Carter
Honorary Senior Research Fellow in Sociology & Modern Korea, Leeds
University, UK
E: _afostercarter at aol.com_ (mailto:afostercarter at aol.com)
_afostercarter at yahoo.com_ (mailto:afostercarter at yahoo.com) W: _www.aidanfc.net_
(http://www.aidanfc.net/)
_http://nknews.org/2011/02/11015/_ (http://nknews.org/2011/02/11015/)
_The Fate of the Kwaks_ (http://nknews.org/2011/02/11015/)
_OPINION_
(http://nknews.org/category/featured-content/opinion-featured-content/) | FEBRUARY 21, 2011 BY _ADMIN_ (http://nknews.org/author/nknews/) |
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By Michael Munk
Two years ago, the media hailed the visit of the New York Philharmonic to
Pyongyang as the great success it surely was. But neither its members nor
their press entourage were aware of the disappearance of a Korean musician
couple in the DPRK, so were unable to make inquiries of their hosts.
Indeed, few anywhere know their story, which lies forgotten in that notorious “
dustbin of history.”
Chungsoon Kwak and Choon Cha Kwak were ardent Korean nationalists who
avoided deportation to South Korea from the US during the McCarthy era, by
going to North Korea. They were never heard from again.
Chungsoon was born in Pyongyang under Japanese colonial rule. As a child
prodigy violinist, he became concert master of the Seoul Central Symphony
orchestra while still in high school and graduated from Chosun Christian
College in 1934. Already a supporter of the underground Korea resistance to
Japanese imperialism, he arrived in the US in the late 1930s to study at the
Chicago Conservatory of Music from which he graduated in 1940.
Choon Cha was born in Seoul and studied music at Ehwa Women’s College,
where she was also active in the resistance. In 1938 she received a
scholarship from the University of Michigan and earned a degree there in 1941.
The couple married in 1942 and moved to New York where Choon Cha was
choirmaster of the Korean Church and Chungsoon was chair of its board of
trustees. They were prominent in the movement of leftist Koreans students opposed
to Sygman Rhee, who was then in US exile.
With the US at war with Japan, the couple were recruited by the US Armed
Forces Information and Education Division, where Chungsoon became chief of
the Korean censorship office and Choon Cha was his assistant. After the
war, when the US occupation imported Rhee as its chosen anticommunist dictator
for South Korea, the Kwaks went on to work at the Voice of America until
1949, when Chungsoon was summarily fired and Choon Cha resigned in protest.
They lost their jobs not only because of their continued opposition to the
US-sponsored Rhee dictatorship, but because they were radical leftists at a
time when McCarthyism was putting all leftists in the US at risk.
The Kwaks’ originally arrived in the US on student visas but with their
wartime government employment, they were issued visitors visas—which made
them eligible for permanent residence after seven years. They applied for it
in 1948, but after they were fired by VOA, their visitor’s visas were not
renewed. Instead, in September 1949, they were deported to South Korea when
their visas expired –a country whose regime they did not recognize.
Deportation as radical leftists into the hands of their bete noir Rhee
meant certain death at best. So the Kwaks fought the order for almost two
years, insisting they were not South Korean citizens. They were however
denied permission to leave for another country. And at the height of the Korea
War in April, 1951 they were arrested and sent to Ellis Island to await
deportation. After theAmerican Committee for Protection of the Foreign Born
organized a “Committee To Defend Chungsoon and Choon Cha Kwak” to raise
bail and hire an attorney, they cited the certainty of “physical persecution”
as grounds against deportation and declared themselves citizens of the “
Democratic Peoples Republic of Korea.” As late as 1952, Chungsoon was
writing for the Los Angeles radical weekly, Korean Independence.*
After several years of unsuccessful court appeals, the Department of
Justice set their deportation for April 7, 1954, but deferred implementation
until a similar deportation case of another Korean leftist, Los Angeles
architect David Hyun*, was settled in the courts (Hyun eventually won in 1967).
On March 27, their case finally attracted some public attention when the
National Guardian, a leftist weekly, published a denunciation of the
government’s deportation effort as part of the McCarthy era’s suppression of
dissent.
After almost two more years, in January, 1957, their defense campaign
finally forced the US government in to allow the Kwaks to leave for
Czechoslovakia, which had offered them transit visas, after which they planned to seek
refuge in North Korea. Their defense committee, which included W.E.B.
DuBois, Roger Baldwin and other prominent Americans, gave the Kwaks a festive
sendoff when they left New York for Prague in early February.
They received permission to go to North Korea from either its Czech or
Soviet Embassy. On their arrival in Moscow, the Embassy arranged seats for
them at several concerts and operas, at which they wrote friends that they
enjoyed “such beautiful Verdi, such graceful Mozart.” And on Feb 26, the
Kwaks wrote Guardian editor James Aronson that they “are leaving for Pyongyang
this evening” on the Trans-Siberian railroad via Vladivostok. They had
$1500 left from their defense fund which they intended to contribute to the
post-war reconstruction effort. They said they had left the US “with few
regrets other than leaving so many good friends,” and looked forward to “
really taste the air of a free world.”
Those were the last words their American friends ever heard from them.
After a year with not a single letter of the many they had promised to write,
Aronson asked his journalist colleagues in Moscow, Prague and Beijing to
make inquiries of their Korean contacts. Six more months later in July, 1958
his Moscow colleague, Ralph Parker, reported the good news that, according
to his Korea contacts, the Kwaks were happily working at the Conservatory
of Music in Pyongyang, and that mail would reach them there.
But as the Kwaks’ failure to respond to their American friends’ letters
continued, Aronson became increasingly worried. His continued efforts to
smoke out information resulted in hearing that the Koreans were “fed up with
questions” about the Kwaks. But finally in April 1959 when the
Guardianthreatened to publish an article about the missing couple, they heard again from
Moscow that the Kwaks were “just fine,” had a new apartment and that
Choon Cha was still at the Conservatory of Music while Chungsun was now at the
Foreign Languages Publishing House in Pyongyang. At the same time, the
North Korea Embassy in Prague told the Guardian correspondent there that the
Kwaks, “like any Korean citizens,” could write him if they wished. The
correspondent replied that he didn’t believe that.
Twenty years later, in 1978, the editors of the National Guardian finally
published the Kwaks’ story in a book,*explaining that they withheld
publication in the paper because they had suspicions but no hard facts, and going
public would only provide propaganda to “a media world salivating for such
[anti-Communist] material.” Still, Aronson admitted, “I have never been
easy in my mind about not publishing the story.”
More than 40 years later and the breakthrough visit of American musicians,
the fate of the Kwaks remains secret, although the suspicion of their
leftist friends that North Korea wrongly judged them to be USspies as they did
Alice Hyun and probably Diamond Kimm,remains the most probable end of
their story.
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