[KS] Jazz in Korea
Frank Hoffmann
hoffmann at koreaweb.ws
Fri Nov 18 08:28:11 EST 2011
>Josephine Baker performed in Nampo in (I
>believe) 1938 on her way from Japan to Manchuria
>where she performed in several other cities. The
>Dong-ah Ilbo published an article on her visit
>and included a picture of the performance.
Steven, are you sure? And not possibly mixing up
Ch'oe Sûng-hûi with Baker -- e.g. because some
author is comparing the two and their roles? When
it comes to *politics*, however, it is a bad
comparison, as Baker had been very engaged for
the French resistance (and not just that), went
even as far as to work as a spy for them, had
always been very outspoken, while Ch'oe Sûng-hûi
(Jap. name Sai Shôki) worked closely with the
Imperial Japanese Army and their war propaganda
unit. After the Sino-Japanese War Ch'oe did
indeed tour through the Manchukuo puppet state
set up by the Japanese in 1932/33. After
liberation this cooperation worked against her in
the South, and so she left for the North to start
over (like many other 'collaborator artists'). If
you look at who was most "efficient" within the
war propaganda art, who hold the leading
positions, it was mostly modernist artists (or
dancers, in this case) ... the overseas elite who
had returned from Paris, Berlin, etc. in the late
1930s or in 1940.
Anyway, you are saying that JOSEPHINE BAKER
visited not just Japan in 1938 (!) but also
Manchukuo (and Korea). I hear you, but it much
surprises me! Can you please refer to the date
this was in the Tonga ilbo, or to some article or
book that makes such a reference and statement?
Baker, upon her arrival in Japan in 1954 told
Japanese reporters: "This is my first visit to
Japan. Nothing could make me happier." (Asahi
shinbun, 4/14/1954)
Best,
Frank
--
--------------------------------------
Frank Hoffmann
http://koreaweb.ws
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