[KS] Last Call for Participation in "Korean Hip Hop and Afro Asian Identity" Conference, Oct, UCI

[CedarBough T. Saeji]

Dear All, the deadline has been extended until next Thursday June 6th.
Our featured performers are Tiger JK, Yoon Mirae, and Bizzy. Tiger JK will
also present during the conference.

_________________________

+++Call for Participation+++

Korean Hip-hop and New Explorations of Afro-Asian Identity

*Music Festival and Conference*

University of California, Irvine

October 7, 2019


Since Seo Taiji, rap has been a consistent force in Korean popular music.
Some of the best Korean idol groups in recent years, such as Big Bang, BTS,
and Mamamoo, all featured at least two rappers—making rap verses a
discernible part of K-pop. The hit rap program, Show Me the Money has had
ratings that have fared better even than idol audition programs. Korean
hip-hop artists such as Keith Ape, Zico, and Jay Park enjoy global fame
that reaches many youth and alternative club cultures around the world.
However, while various academic events, conferences, panels, and even
anthologies have discussed K-pop, hallyu, and the history of Korean popular
music, the study of rap in the context of hallyu have been extremely rare.
Academic articles that explore the sonic and linguistic aspects of Korean
rap are also uncommon. Those that exist neither link Korean rap to the
larger context of global hip-hop or the history of African American oral
tradition. Likewise, while many scholars have taken a serious look at the
relationship between post-colonial studies and Korean popular culture,
hip-hop is rooted in African American culture. The study of race,
especially on regions and populations that are less economically
successful, has barely been carried out; just as K-pop has focused on
success in the West, Korean Studies scholars are focused on white affluent
Western interest in and linkages with Korean music.

Although outside Korean Studies there is a long history of scholarship on
appropriation of black musical forms such as hip-hop, these primarily focus
on what happens when a dominant group with a history of oppressing black
populations takes on their musical forms. The Korean case is different.
While many scholars have taken a serious look at the relationship between
post-colonial studies and Korean popular culture, hip-hop is rooted in
African American culture. Studies on race, especially on regions and
populations that are less economically successful, have barely been carried
out. Just like the anthropological and sociological studies of the past,
hallyu studies turn away from the racially conflicted history of exchange
between African-American and Korean populations--the treatment of the
half-Korean children of black GIs, the Los Angeles race riots, and even
contemporary battles surrounding support for #blackARMY (black fans of BTS).

Therefore, this conference and musical event will foreground issues of both
Korean-ness and blackness in Korean hip-hop, addressing race in hip-hop in
new ways and tackling formal analysis of the genre and its evolution in the
Korean context. In so doing, we will examine cultural, performative, and
linguistic aspects of Korean hip-hop. Through this conference we will
explore the meaning of race and national ethnic identity of Korean popular
culture of the 21st Century. It will consider the questions that engage
global aesthetics, the role of ethnic and race studies in Korean studies,
and challenges Korean linguistic and poetic sensibility faces in the
globalizing era.

This conference will foreground the question of how both emergent and
hegemonic cultural aesthetic can be brought to bear on the minority
identity in Korean pop. This amplification of the mix of Korean-ness and
blackness in Korean hip-hop hopefully will lead to an analysis of hip hop
that could move away from essentialized study of the music genre, and into
formal analysis of the genre. Stimulating academic talks, open to the
public, will be accompanied by the first ever Afro-Korean Hip Hop Festival
with events on the sidelines of the conference and a concert (talk
concert?) in the evening featuring Korean and Korean-American hip-hop
artists. A list of participating artists is forthcoming.

Confirmed Keynote Speaker:

Adam Bradley, Director of the Laboratory for Race and Popular Culture (RAP
Lab), author of Book of Rhymes and The Anthology of Rap, University of
Colorado Boulder Professor of English

Conference Organizers:

Kyung Hyun Kim , UC Irvine professor of East Asian Studies

CedarBough T Saeji, University of British Columbia postdoctoral fellow

Submission:

Please submit your 250 word abstract by May 30 to c.saeji at gmail.com (MS
Word or RTF) with a brief self-introduction. Limited funds will be
available to defray participants’ travel expenses. We are particularly
interested in papers that address or include:

   -

   Linguistic analysis of Korean rap
   -

   The process of Korean acculturation of resistance and ethnic-identity
   coded American hip-hop discourse
   -

   Relationship between hip hop and Korean tradition
   -

   Race relations between African-American and Korean populations
   -

   Troping of gender in hip hop movement and lyrics
   -

   Racial coding in Korean hip-hop
   -

   Historic influence of African-American music on Korean music
   -

   The intersection of race and fandom
   -

   Transformation of rap as it leaves the West and English behind


This conference will be hosted by the Center for Critical Korean Studies at
University of California, Irvine and has been sponsored in part by the
Academy for Korean Studies.


-- 

CedarBough T. Saeji  ∞ Profile on Academia.edu
<https://ubc.academia.edu/CedarBoughSaeji>

Korea Foundation Postdoctoral Fellow, University of British Columbia
Department of Asian Studies



"Preserving intangible culture as static performances in the hope of
sustaining cultural diversity may do very little to foster the processes of
change and regeneration that are needed to ensure cultural vitality and
heterogeneity" (Pietrobruno 2009: 240).



Apt. 116  / 3655 Wesbrook Mall / Vancouver BC / V6S 0G6 / CANADA
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