[KS] Korea Society event
SusanKKim at cs.com
SusanKKim at cs.com
Thu Apr 29 16:20:14 EDT 2004
The Korea Society Presents:
A Poetry Reading by Suji Kwock Kim
Wednesday, May 5, 2004 at 6:30PM
The Korea Society
950 Third Avenue, 8th Floor (entrance on SW corner of 57th Street)
New York, NY
Info: Grace Chon at 212-759-7525 x301 grace.ny at koreasociety.org
FREE ADMISSION
Winner of the 2003 Walt Whitman Award from the Academy of American Poets,
selected by Yusef Komunyakaa
Winner of the 2004 Bay Area Book Reviewers Award
Finalist, 2004 Griffin International Poetry Prize, selected by Billy
Collins (winner announced June 3)
Notable Book, 2004 Kiriyama Pacific Rim Awards
www.poets.org/skkim
www.griffinpoetryprize.com/gpp2004/intro.html
_______________________________
from THE LOS ANGELES TIMES:
"I wish I had space in which to consider at length the important debut of
NOTES FOM THE DIVIDED COUNTRY by Suji Kwock Kim. It seems to me that this first
book (already acknowledged by the Walt Whitman Award) deserves close and
celebratory attention.
Suji Kwock Kim has written a book of unforgettable poems; she has found a
way, through the medium of language, to allow readers into a double consciousness
that is, finally, the poet's undivided mind. She writes of the "old country"
reborn in the New World, of her ancestors in Korea during the Japanese
occupation and her immediate family in America: the Trees of Unknowing and Knowledge.
In one of the most inspired and brilliant poems, she considers sparrows and
their symbology: "How to stay faithful / to earth, how to keep from betraying /
its music " she wonders --- as she writes of the Earth that both divides us
and brings us together." --- Carol Muske-Dukes
_______________________________
from THE WASHINGTON POST:
"I've been struck by the rich and complicated way that many young
Asian-American poets, especially women, have been dealing with their ancestry and
engaging the past. These poets are creating an art that looks forward by turning
back. Their work confronts history and comes to terms with a wide range of
cultural influences, a complex and divided inheritance.
I am deeply moved and instructed by Suji Kwock Kim's brilliant debut
collection, which moves fluently between the living and the dead, the Korean past and
the Asian American present. NOTES FROM THE DIVIDED COUNTRY is a heartfelt,
blood-soaked work of flights and explorations, of personal probings and
historical exposures, of suffering and responsibility, of tribute and witness, of
American soul-making."
Her work is shadowed by the question of what is passed on through a long
history. She tracks the generations through strong poems for her
great-grandparents, her grandmother, her father and, especially, her mother. She also
traces the tormented, catastrophic history of countless others, many of them
nameless, who figured in the making of more than half-a-million new Americans."
--- Edward Hirsch
_______________________________
from BOOKLIST:
"The four parts of Ms. Kim's impressive first collection contain poems of
family, history, love, and vision, respectively. The first part is
punch-in-the-guts powerful. After opening with the virtuosic "Generation," tracing the
poet's journey from before conception to implantation in the womb, the poems lay
out a painful familial scenario, the soul-searing climax of which comes in "ST
RAGE," in which sadistic boys torment the poet's handicapped brother. Anguish
also pervades the second section's preoccupation with the half-century of
horror Ms. Kim's ancestral homeland, Korea, endured, first under Japanese
occupation, then in the Korean War; members of Ms. Kim's family played historic roles
then, and they figure as actors and dedicatees here. The third section's poems
on love are analytic, personal, and sensual, though seldom all at once;
whereas pain predominated in the first two sections, emotional intensity preoccupies
these poems. In the last section, Ms. Kim applies that intensity to
observation of art and nature, so strikingly that, for instance, having read "On
Sparrows," you may never regard those common birds as commonplace again." --- Ray
Olson
_______________________________
GRIFFIN INTERNATIONAL POETRY PRIZE, JUDGES' CITATION:
"Suji Kwock Kim's title NOTES FROM THE DIVIDED COUNTRY refers not only to the
Koreas North and South and to all the Americas, but also to the countries of
the mind. Travelling between past and present, Kim's powerful fictive
imagination creates almost unbearably realistic enactments of war-zones once
inhabited by her parents, grandparents, and even her great-grandparents. If
"death is no remedy for having been born", as she says in "The Tree of Knowledge",
then perhaps poetry is: poetry as expiation, history, memory treasure
trove. In highly sophisticated verse, with lines long and lean or short and
subtle, an exorcism seems to take place through the precision and music of her
language. In poems about the couple next door in San Francisco, or the poet
on the road to Skye in Scotland, or in the streets of Seoul on the Buddha's
birthday, Suji Kwock Kim celebrates being alive and well in the complexities of
the present moment." --- Billy Collins, Bill Manhire, Phyllis Webb
_______________________________
from THE VILLAGE VOICE:
"Suji Kwock Kim's Whitman Award-winning collection arrives at a moment when
many Asian American poets bristle at the ghettoization of ethnic poetries in
American letters. Kim's NOTES FROM THE DIVIDED COUNTRY opens with an almost
mythic retelling of the poet's conception in the "labyrinth of mother's body."
After this surreal, prenatal fugue, the book shifts gears and launches into a
series of first-person accounts of political atrocities perpetrated by the
Japanese during the forced colonial assimilation of Korea and later by the Americans
during the Korean War. An epigraph by Brecht alerts us to the fact that
these imaginary perspectives are a deliberate attempt to flunk the ethnic litmus
test of "authenticity." Citizens from Kim's home village are "blown to
hieroglyphs of viscera" --- a piercing, uncanny image that doubles as a critique of
the aestheticization of historical trauma." --- Chris Chen
_______________________________
from the back cover:
"This is a brilliant, unerasable book. It begins with the descent of the
soul into flesh, which is also the descent into the catastrophic, tormenting
history of family and nation. Kim does not turn away from this history but takes
it into herself, making poems that give it indelible voice. The poems as a
whole surprise not only by their ambition and ferocity but by their delicacy,
their sudden reserves of stillness and contemplation. If there is justice, the
future will look back on this book as a major event."
--- Frank Bidart, editor of THE COLLECTED POEMS OF ROBERT LOWELL
_______________________
"NOTES FROM THE DIVIDED COUNTRY springs out of a civil war in the soul. . .
.[Its] revelation of horror is so explicit, so necessary; a facing up to
history that frees the speaker. . . .[She] seem[s] to know that only an
approximation of the truth can make [her] whole again, that even in the negative there's
nobility. To understand the gift of the senses is a blessing. It is a
graceful, powerful trope. . . .There's love and sadness at the root of these poems.
There is also a bridge, a language that mends."
--- Yusef Komunyakaa, winner of the 1994 Pulitzer Prize for poetry
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